Building materials

Love Hulten's Triangular Synthesizer Guitar: A Tribute to Pink Floyd

Swedish designer Love Hultén has unveiled Magicos-2, an extraordinary double-neck synthesizer guitar that draws its inspiration from the iconic prism found on Pink Floyd's 'The Dark Side of the Moon' album cover. This bespoke instrument, commissioned by a private collector, masterfully integrates custom-engineered electronics, modular synthesis capabilities, and a striking sculptural form within its triangular casing. It effectively transforms a recognizable graphic motif into a fully functional musical device. Conceived as both a performance instrument and a unique collector's item, Magicos-2 exemplifies Hultén's ongoing commitment to crafting electronic devices that blend cutting-edge technology with a distinctive retro-futuristic style.

Crafted around an equilateral triangle, this innovative instrument features two extended playing arms, each equipped with fretboard-style control surfaces. These arms independently house dedicated synthesis engines: one side is powered by a 1010music Tangerine module, while the other utilizes a 1010music Lemondrop module. This dual-engine configuration empowers musicians to simultaneously manipulate distinct sound sources, enabling the creation of intricate layered melodies, expansive ambient textures, sustained drones, and evolving soundscapes. Rather than serving as a conventional guitar, Magicos-2 operates as a multifaceted hybrid instrument, seamlessly combining the realms of synthesis, live performance, and object design.

The Evolution of Musical Instrument Design

The Magicos-2, a creation by Swedish designer Love Hultén, represents a significant leap in the convergence of art, technology, and music. Inspired by the legendary Pink Floyd album art, this double-neck synthesizer guitar transcends traditional instrument design. It's a testament to how visual art can directly influence and shape functional musical tools, pushing boundaries beyond conventional forms and sounds. This unique piece is not just an instrument but a sculptural statement, designed for both sonic exploration and aesthetic appreciation, embodying Hultén's vision of blending vintage appeal with modern technological advancements.

Hultén's Magicos-2 is a meticulously crafted instrument that showcases his signature blend of contemporary technology and retro-futuristic aesthetics. The triangular body, a direct homage to Pink Floyd's 'The Dark Side of the Moon' prism, is more than just an artistic choice; it's an integral part of its functionality. Each of the two playing arms is equipped with advanced synthesis engines, offering musicians an unprecedented level of control over sound manipulation. This design philosophy emphasizes that musical instruments can be more than mere tools; they can be works of art that challenge perceptions and inspire new forms of creative expression. The instrument's dual nature as both a high-performance synthesizer and a collectible art piece reflects a growing trend in handcrafted electronic devices that blur the lines between different creative disciplines.

Craftsmanship Meets Sonic Innovation

At the core of Magicos-2's design lies a thoughtful integration of high-quality components and innovative features, demonstrating how meticulous craftsmanship can enhance sonic possibilities. The instrument's dual synthesis engines and detachable effects module provide a versatile platform for sound creation, allowing musicians to experiment with a wide range of tones and textures. This modular approach not only facilitates easier transport and maintenance but also encourages a deeper exploration of sound, where performers can tailor their setup to specific musical needs, bridging the gap between artistic expression and practical functionality in a single, cohesive design.

The Magicos-2's trapezoidal base, which is detachable, houses a sophisticated effects section, featuring a Walrus Audio Lore pedal for ambient processing and reverse reverb, alongside a Collision Devices TARs pedal for distortion and harmonic coloration. This modularity allows for both ease of transportation and simplified maintenance, underscoring Hultén's practical design considerations. A prominent illuminated rose quartz pyramid at the base's center serves as a striking visual element, reinforcing the instrument's geometric motif. This fusion of precision electronics with a handcrafted physical form, accented by nine amber-colored controls on a monochromatic white surface, exemplifies Hultén's philosophy. His work consistently blurs the boundaries between functional devices and design objects, positioning Magicos-2 as a unique artifact that sits at the intersection of technology, artisanal skill, and collectible design, much like his other custom electronic instruments inspired by diverse cultural references.

Thuy Tien Nguyen's "Press, Release" Exhibition Explores Memory and Systemic Delays

Artist Thuy Tien Nguyen's solo exhibition, "Press, Release," debuting at Gasworks in South London, offers a thought-provoking exploration of memory, circulation, and the subtle resistance against societal momentum. The centerpiece, a kinetic conveyor belt installation, meticulously transports everyday items from diverse cultural backgrounds—Vietnamese, Thai, and British—through a carefully orchestrated yet deliberately disrupted path. This work, along with earlier pieces, reveals Nguyen's profound engagement with how personal and collective histories are shaped, remembered, and reinterpreted through seemingly ordinary objects and experiences. Her art prompts viewers to consider the impact of time, pressure, and the intricate mechanisms that govern our interactions with the past and present.

Nguyen's artistic vision extends beyond mere display, transforming materials and concepts into intricate narratives. Through various mediums including sculpture, sound, and installation, she meticulously examines the translation and adjustment of memory over time. Her works challenge conventional notions of speed and efficiency, advocating instead for attunement and thoughtful repair. By infusing everyday objects with deeper meaning and historical weight, Nguyen invites audiences to engage with art on a more intimate and reflective level, uncovering the hidden emotional landscapes embedded within our material world.

The Poetics of Pause: Nguyen's Conveyor Belt and Memory's Echoes

Thuy Tien Nguyen's upcoming exhibition, "Press, Release," at Gasworks in South London, starting July 9th and running until September 13th, 2026, presents an intriguing mechanical installation. A conveyor belt, designed with a sleek polished steel framework reminiscent of industrial efficiency, navigates through two distinct gallery areas. This system, however, operates with an unsettling rhythm, carrying a collection of everyday items from Vietnamese, Thai, and British cultures. These objects, including traditional krathongs—small floating bouquets meant to release negativity and convey wishes—are moved along a path that frequently hesitates and reverses, suggesting a promised release that is perpetually deferred. This deliberate slowing of the system invites contemplation on processes of circulation, memory, and cultural exchange, highlighting the tension between the smooth logic of production and the intricate, often delayed, realities of human experience.

This pioneering exhibition, marking Nguyen's UK debut, employs a modular polished steel structure combined with fragments of reclaimed timber, underscoring a dialogue between rigidity and organic forms. The krathongs, symbolic of letting go and aspiring for a better future, become emblematic of a larger system where intentions are caught in a cycle of repeated motion without definitive resolution. Nguyen's artistic approach challenges the aggressive optimization prevalent in modern society, instead advocating for a focus on attunement and mending. Her works, spanning sculpture, sound, and installation, meticulously explore how memories are transformed and conveyed across generations and cultures, often through objects that appear mundane at first glance but possess deep personal and collective histories. The artist's use of materials like memory foam and sugar, which absorb and retain impressions, further emphasizes the enduring legacy of past pressures and experiences.

Intergenerational Narratives and Material Resilience in Nguyen's Art

In her artistic endeavors, Thuy Tien Nguyen frequently explores the nuanced interplay between vulnerability and resilience, particularly through the lens of intergenerational narratives and the tactile qualities of various materials. Her work, such as "In the manner of speaking (me and grandma and you are both tired)," showcases a profound sensitivity to inherited experiences. This piece, a long sculpture crafted from welded aluminum ballet brackets and memory foam, visually represents the contrasting themes of rigid support and the absorption of physical and emotional strain. The ballet brackets signify discipline and the imposition of form, while the memory foam, capable of conforming to pressure and slowly recovering, embodies the persistence of fatigue and the echoes of ancestral struggles. This sculptural dialogue between hard and soft materials poignantly captures the shared burdens and enduring connections across family lines, transforming personal history into a universal artistic statement.

Nguyen's exploration of family ties and the evocative power of objects deepens in "Gentle Integrity," a 2022 artwork that ingeniously reinterprets a missing element from her grandmother's chair. By casting a delicate, elongated sculpture from caramelized sugar candies in the form of the absent chair leg, Nguyen transforms a void into a fragile yet potent symbol of domestic history and emotional sustenance. This choice of sugar, a material prone to melting and cracking, underscores the transient nature of repair and the inherent instability of memory, while also inviting touch and interaction. The work was prominently featured at Documenta 15 in Kassel, highlighting its significance in contemporary art discussions. Through such pieces, Nguyen elevates everyday items into vessels of profound meaning, suggesting that the seemingly minor details of daily life and family artifacts can convey sentiments and histories that language often fails to articulate, solidifying her unique artistic voice.

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Bad Bunny's Puerto Rican Residency: A Theatrical Mountain and 'La Casita' Stage Design

The concert stage design for Bad Bunny's residency in Puerto Rico transformed a conventional arena into an immersive, detailed representation of the island's natural and architectural heritage, deeply connecting the performance to its cultural roots.

Experience Puerto Rico: Bad Bunny's Stagecraft Reimagined

An Immersive Island Experience within the Arena Walls

In the heart of San Juan's Coliseo de Puerto Rico José Miguel Agrelot, Bad Bunny's "No Me Quiero Ir de Aquí" residency captivated audiences by converting the venue into a vibrant depiction of a Puerto Rican environment. This ambitious design, conceived by STURDY. with Adrian Martinez in collaboration with Bad Bunny, prioritized an authentic atmosphere over sheer size, placing the island's distinctive architecture and geographical features at the forefront of the spectacle.

The Heart of the Performance: 'La Casita' as a Focal Point

Central to Bad Bunny's residency was 'la casita,' a quintessential one-story Puerto Rican home that functioned both as an additional stage and an entry point for performers. STURDY., the set design studio, meticulously crafted this pink-façaded structure, complete with rattan patio furniture, a flat gray roof, and an air-conditioning unit. Production designer Mayna Magruder and art director Natalia Rosa based the design on a real home in Humacao, ensuring a recognizable and emotionally resonant element for the local audience. This 'casita' infused the show with a sense of nostalgia, allowing Bad Bunny and guests to move through its yard and roof, while selected fans enjoyed the performance from its porch.

A Mountainous Main Stage: Bringing the Countryside to Life

Dominating the venue, the primary stage was conceptualized as a mountain, drawing inspiration from Puerto Rico's rugged interior, particularly the Cordillera Central and the town of Adjuntas. Production designer Mónica Monserrate's initial sketches were brought to fruition by architect Gabriela Escalera, who engineered a functional structure incorporating scaffolding, access routes, lighting, and stage movement. The asymmetrical design featured distinct trails and vegetation on each side, adding to its organic feel.

Intricate Details of a Natural Landscape

The mountain stage was rich with scenic elements, including a plantain farm, a flamboyán tree, and a small cave near the summit. A massive thirty-foot billboard-style LED mesh screen was seamlessly integrated, displaying educational facts about Puerto Rico before the show and live visuals during the performance. The artificial plants were individually crafted for realism, and dry plantain leaves, treated for safety, added an authentic touch, creating a truly local visual language for the audience.

Integrated Production: A Symphony of Light and Sound

STURDY.'s comprehensive production design extended beyond physical scenery to encompass lighting and visual content, creating a cohesive and immersive environment. The lighting, with its humid washes, warm backlights, and subtle tonal shifts, dynamically altered the mood of the 'casita' and mountain throughout the night, ensuring that screens enhanced rather than overwhelmed the architectural elements. The unique, fixed residency format allowed the design team the freedom to implement complex elements like an overhead screen, concealed audio systems, and dense scenic construction, which would be impractical for a touring production.

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