Antony Gormley's 'What Holds Us' Exhibition Transforms Italian Gallery



















Antony Gormley's latest exhibition, 'What Holds Us,' transforms the historic Galleria Continua in San Gimignano, Italy, into a profound exploration of the human form's interaction with the built environment. This captivating display, running from May 9th to September 13th, 2026, challenges viewers to contemplate the fundamental elements that provide structure and support, both physically and metaphorically. Through a diverse array of materials, from the everyday nature of cardboard to the enduring presence of stone and concrete, Gormley prompts a re-evaluation of what we perceive as stable and permanent in our surroundings.
Gormley's 'What Holds Us' Exhibition Unveils Body-Architecture Dialogue in San Gimignano
In a compelling artistic endeavor, Antony Gormley has launched his latest exhibition, 'What Holds Us,' at the distinguished Galleria Continua in San Gimignano, Italy. From its opening on May 9th and continuing through September 13th, 2026, the exhibition occupies the former cinema-theater, inviting patrons to engage with a thought-provoking collection of sculptures. Gormley, an artist celebrated for his innovative approaches to form and space, transforms the human body into architectural landscapes within the 14th-century walls of the gallery. His installation, 'Innercity,' a labyrinthine structure crafted from fifteen colossal cardboard 'body buildings,' is a focal point. These site-specific creations, some inviting passage and others deliberately obstructing, convert anatomical elements like limbs and cavities into an intriguing, somewhat precarious, architectural experience. The choice of cardboard, a material both ubiquitous and transient, creates a striking juxtaposition against San Gimignano's ancient stone and masonry, highlighting themes of impermanence and the constant rebuilding of our constructed world. Beyond the delicate nature of cardboard, Gormley employs robust materials such as basalt, terracotta, and concrete to craft pieces like 'Basalt Blockworks,' which lean directly against the gallery's aged walls, and 'Slabworks,' monumental terracotta figures that emphasize mass and contact. A concrete 'Bunker' titled 'Skew II' further explores themes of enclosure and the body's place within confined spaces, presenting a dark interior through an opening at what appears to be a mouth. Through this masterful blend of materials and forms, Gormley compels observers to move, observe, and interact with the sculptures, fostering a dynamic dialogue between the individual and the architectural fabric.
Gormley's exhibition offers a profound meditation on existence and our relationship with the surrounding world. By transforming familiar architectural elements and human forms, he encourages us to look beyond the superficial and consider the unseen forces and fragile structures that underpin our realities. The display serves as a potent reminder that the environment we inhabit is not merely a backdrop but an active participant in shaping our experiences and perceptions. It prompts us to question the solidity of our world and acknowledge the continuous, often delicate, effort required to maintain it.