Architectural Cases

The comprehensive revitalization of Přerov City Hall, undertaken by Atelier Gram, has transformed a once secluded government edifice, originally constructed in 1969, into an inviting and versatile public facility. This architectural endeavor meticulously maintains the existing steel framework and precast concrete panels, while simultaneously integrating modern design principles, advanced materials, and cutting-edge technologies. These updates address critical contemporary standards, encompassing energy conservation, fire safety protocols, occupant comfort, and enduring functionality. A striking new glass-enclosed staircase, gracing the building's southern façade, emerges as a pivotal design intervention, seamlessly connecting the administrative zones with dynamic exhibition spaces, casual meeting points, and various public amenities.

This initiative represents a significant reinterpretation of civic architecture, moving beyond the confines of a purely administrative role. The original structure, a product of modernist public building trends, was characterized by its functional layout and a somewhat insular relationship with its urban context. The renovation strategically reorients the building to embrace T. G. M. square and integrate functionalities that extend well beyond municipal services. This transformation positions the City Hall as a vital piece of civic infrastructure, where circulation paths, gathering areas, display zones, and governmental offices are harmoniously interwoven within a more accessible and inclusive architectural framework.

Opening the Administrative Core: The Glazed Staircase and Public Connectivity

The newly introduced glazed staircase, positioned along the south façade facing the bustling city square, acts as the primary organizational element of the entire redevelopment. Encased in transparent glass, this feature provides seamless vertical movement throughout the building, simultaneously making the internal flow of activity visible from the public realm. Beyond its primary function for circulation, the staircase thoughtfully incorporates exhibition spaces and informal meeting zones, thus drawing activities traditionally confined to internal corridors closer to the building's exterior and the public eye.

This intervention by the Czech design practice Atelier Gram meticulously crafts a diagonal public trajectory through the edifice, commencing at the ground-level reception area and ascending to the uppermost floor, where the registry office and a café are situated. This carefully designed circulation sequence establishes a fresh connection between the city square, the various municipal offices, and the accessible rooftop level, offering a new public destination above the traditionally administrative floors. The ground floor entrance, characterized by its full glazing, forges a direct visual and spatial link with T. G. M. square, allowing clear views through the structure to the rear courtyard. This design significantly blurs the lines between public and municipal spaces, effectively extending the public square into the building's interior.

Sustainable Integration and Adaptive Design

Internally, the removal of non-load-bearing partitions has facilitated the creation of expansive, open floor plans, thoughtfully organized around a robust central core. This flexible arrangement allows for the easy reconfiguration of workspaces to adapt to evolving needs, utilizing lightweight partitions without requiring modifications to the primary structural system. This approach not only enhances spatial adaptability but also ensures a cost-effective construction strategy by minimizing extensive structural interventions. The open-plan design strategically leverages the building's existing modernist structural elements, preserving the original load-bearing components while reorganizing the interior layout around them. This thoughtful integration of past and present results in a building that is both adaptable and economically efficient.

The material strategy employed in the renovation is rooted in preserving the valuable characteristics of the late-1960s structure, while integrating new layers to meet contemporary technical and environmental demands. The original load-bearing steel frame and the pre-fabricated reinforced-concrete PZD floor and ceiling slabs have been retained. These elements underwent thorough cleaning, structural assessment, and adaptation for their renewed purpose. Consequently, the building's original construction remains discernible within the revitalized space, while new finishes and technical systems contribute to a modern architectural aesthetic. The facade's renewal respects the original modular design, featuring alternating glazed and solid panels that maintain the proportions and rhythm of the 1969 building. Enhanced thermal insulation and modern window and door installations improve the building envelope's performance, all while preserving its fundamental composition.

Artist Paweł Kalinowski has masterfully woven a real-life automotive adventure into a profound artistic endeavor, dubbed 'Contact Layer of Shinjuku.' What originated as a conceptual race set in 1980s Tokyo has blossomed into a comprehensive project encompassing cinematic works, photographic exhibits, curated artifacts, and an immersive physical installation. For this latest chapter, Kalinowski orchestrated a journey of seven vintage Porsche vehicles, accompanied by a dozen participants, each car traversing approximately 4,000 kilometers, transforming the expedition itself into the core material for this innovative body of work.

This initiative builds upon Kalinowski's ongoing fascination with the interplay of automobiles, recollections, narrative, and tangible experiences. The genesis of the project lies in 'Shinjuku,' a simulated world rooted in 1980s Tokyo, featuring an imaginary race from the Shinjuku district to Mount Fuji. In 2026, Kalinowski transported a 1968 Porsche 911 to Japan, customizing it with hand-painted designs that evoked the fictional race, and it subsequently became a prominent display at Luftgekühlt Tokyo. The exploration continued with 'Ghost Layer of Shinjuku,' which reimagined a dilapidated Porsche 356 as an archaeological relic, imbued with imagined stories and forgotten artifacts. This particular piece delved into how material objects can crystallize the perception of a non-existent past. Conversely, 'Contact Layer of Shinjuku' adopts an opposing approach, drawing directly from a genuine road trip to forge its artistic foundation.

The physical journey, documented through various media, became the bedrock for the 'Contact Layer of Shinjuku,' which is evolving into a seven-part documentary series complemented by a tangible exhibition. Within this installation, the Porsche is reimagined as a vessel of memory, transcending its conventional identity as a mere vehicle or sculpture. Through a fusion of moving imagery, ambient soundscapes, strategic lighting, and actual relics, fragments of the expedition are reassembled to create an immersive environment. The essence of the recorded journey then serves as raw material for a subsequent artistic iteration, where individual components are dynamically rearranged through spatial, visual, and auditory elements. The inaugural exhibition of 'Contact Layer of Shinjuku' is slated for Luftgekühlt in Atlanta in October 2026, with the complete opus scheduled to debut at Reszel Castle in Poland. A future presentation in Tokyo is also planned, which would bring the project full circle, concluding its trajectory in the very city that inspired its fictional beginnings.

This profound project showcases how real-world experiences can be transmuted into compelling artistic narratives, blurring the lines between reality and imagination. It emphasizes the enduring power of shared journeys, unexpected encounters, and the simple act of human connection, demonstrating that the true value of any expedition often lies not in the destination, but in the memories forged along the way.