Building materials

Iris van Herpen's "Sculpting the Senses" Exhibition to Debut at Brooklyn Museum

A groundbreaking exhibition featuring the visionary designs of Iris van Herpen is scheduled to premiere at the Brooklyn Museum in New York, commencing in May 2026. Titled "Iris van Herpen: Sculpting the Senses," this traveling display marks its North American debut, presenting a collection of more than 140 haute couture pieces. These intricate works engage in a dynamic dialogue with various artifacts from the realms of design and science.

With a distinguished history of hosting fashion exhibitions, the museum provides a fitting backdrop to contextualize Iris van Herpen's artistic endeavors within a broader design discourse. The exhibits will illuminate how her creations function as intricate, built environments for the human form. This is achieved through extensive material exploration, advanced digital manufacturing techniques such as laser cutting and three-dimensional printing, and a profound, continuous engagement with the intricacies of natural systems.

Throughout the galleries, Iris van Herpen's garments will captivate visitors as ethereal, sculptural entities that defy conventional notions of gravity. Materials like laser-cut mesh, meticulously layered polymers, and transparent synthetics subtly respond to changes in posture and motion. This thoughtful incorporation of responsive elements imbues each piece with a sense of vitality, as her undulating designs fluidly oscillate between states of rigidity and flexibility. Many of the works transparently reveal their construction methods, showcasing three-dimensional printing, artisanal pleating, and innovative bonding techniques. This emphasis on the visible process of creation means the aesthetic language is intrinsically defined by its fabrication. Such a focus on construction seamlessly connects the exhibition to the principles of industrial design and architecture, where the ultimate form is dictated by material properties rather than mere embellishment. The exhibition design is thoughtfully shaped by a myriad of scientific reference points, ranging from marine biology and anatomy to physics and astronomy, which dictate the arrangement and progression through the museum's spaces. This thoughtful sequencing guides visitors from themes evocative of aquatic environments to those of cosmic grandeur. These scientific disciplines are not merely decorative elements but fundamentally inform how the garments inhabit space and how viewers navigate among them. To further enhance this immersive approach, the couture pieces are displayed alongside scientific artifacts and contemporary artworks. Fossils, intricate skeletal structures, and even optical experiments subtly mirror the geometric forms found in the garments. The overall effect is meticulously crafted and deliberate, fostering an environment that encourages detailed observation rather than a cursory glance.

This innovative exhibition invites us to reconsider the boundaries of fashion, science, and art, highlighting how interdisciplinary approaches can yield breathtaking and thought-provoking creations. It underscores the power of human ingenuity to blend disparate fields, pushing the limits of design and inspiring a deeper appreciation for the intricate beauty found in both nature and technology. The synergy presented through van Herpen's work reminds us that creativity flourishes at the intersection of knowledge and imagination, leading to inspiring advancements that enrich our cultural landscape.

Wuzhou Elementary School: A "Learning Landscape" for Modern Education

Wuzhou Elementary School in Shenzhen, China, stands as a beacon of forward-thinking educational architecture, meticulously crafted by the renowned People's Architecture Office (PAO). This innovative public primary institution transcends the conventional classroom model, embracing a dynamic "Learning Landscape" concept that fosters creativity, exploration, and hands-on experiences. The school's design is a direct response to Shenzhen's economic evolution, transforming from an industrial hub to a center of innovation, thereby necessitating educational spaces that mirror this progressive shift.

Shenzhen's Wuzhou Elementary: Redefining Learning Environments

In the heart of Shenzhen, China, Wuzhou Elementary School, envisioned by the People's Architecture Office (PAO), has pioneered a revolutionary educational framework. Departing from rigid classroom-corridor layouts, the school's architecture is a continuous, varied spatial tapestry dubbed the "Learning Landscape." This design ethos champions interconnected learning zones, facilitating diverse interactions and engagements crucial for student-centric education. The ingenious flexibility of the campus ensures its adaptability to future pedagogical demands.

A core tenet of the design is the seamless integration of indoor and outdoor learning environments. Expansive covered outdoor areas, versatile architectural elements, and classrooms that flow into exterior spaces dissolve traditional boundaries. This intentional fusion encourages hands-on activities and direct engagement with nature, extending learning beyond the desk. Architect Yumeng Zhu's compelling photography captures the essence of this integrated approach, illustrating the vibrant interplay between built form and natural surroundings.

The PAO team meticulously organized the "Learning Landscape" around three key spatial elements: the Mountain, the Valley, and the Beach. The Mountain, a central feature within the main courtyard, houses the school's theater and cafeteria. Its terraced exterior offers both circulation paths and informal seating, while a raised platform serves as a stage for various events. For younger students, the Valley provides a more intimate scale with terraced steps leading to a central mound, ideal for spontaneous gatherings and group activities. Adjacent to this, the Beach offers gently contoured terrain, promoting physical play and motor skill development for the youngest learners.

Throughout the school, large interstitial spaces are strategically distributed to encourage cross-disciplinary learning, collaborative projects, and informal social interactions. Additional terraced zones, including a verdant green roof, a library, and comprehensive sports facilities, are seamlessly connected across multiple levels, ensuring visual and physical continuity throughout the campus. Furthermore, vegetation is thoughtfully incorporated into the design, addressing Shenzhen's tropical climate. These planted areas not only contribute to passive cooling and air filtration but also mitigate noise pollution from surrounding urban activity. These green spaces also serve as living laboratories, enabling students to participate in plant care and learn about environmental processes. On an urban scale, the school acts as a natural extension of the adjacent public park to its north, with its abundant greenery actively combating the urban heat island effect caused by nearby commercial developments.

A Catalyst for Evolving Education

The design of Wuzhou Elementary School by People's Architecture Office offers a profound insight into the future of educational spaces. It challenges the conventional understanding of a school, proposing that architecture itself can be a powerful tool to shape and enrich learning experiences. The emphasis on flexibility, interconnectedness, and a blurring of indoor-outdoor boundaries points towards a pedagogical shift where exploration and experiential learning take precedence. This project inspires us to reconsider how physical environments can actively support and enhance contemporary educational models, fostering not just academic growth but also holistic development and a deeper connection with the surrounding world.

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James Turrell Unveils Expansive Skyspace "As Seen Below - The Dome" at ARoS Aarhus Art Museum

Artist James Turrell has finalized "As Seen Below - The Dome," a groundbreaking Skyspace installation at the ARoS Aarhus Art Museum. This colossal work, set to open to the public on June 19, 2026, represents Turrell's largest Skyspace project within a museum environment. It serves as the capstone of the museum's extensive expansion initiative, "The Next Level." The installation, towering 16 meters high and spanning 40 meters in diameter, transforms the perception of the sky, rendering it a tangible element influenced by architectural design, temporal shifts, and illumination.

For over five decades, Turrell's artistic practice has centered on light, proposing it as an entity to be experienced and inhabited rather than merely observed. His Skyspaces, characterized by architectural enclosures with an aperture framing the sky, are among his most celebrated creations. They encourage a heightened state of awareness, prompting visitors to engage with the subtle transformations of natural light.

"As Seen Below - The Dome, a Skyspace" elevates this concept beyond Turrell's previous museum-based endeavors. Patrons enter the installation via a subterranean, illuminated passageway, leading them into the expansive domed chamber. Within this space, Turrell's precisely calibrated lighting system bathes the interior surfaces, subtly altering how the sky is perceived through the central oculus. In contrast to many Skyspaces designed for individual or intimate contemplation, this work is envisioned as a communal setting. The grand scale of the dome facilitates a shared experience of light's evolution over time, highlighting seasonal changes and daily cycles. According to ARoS, the installation is crafted to underscore humanity's connection to nature, the celestial expanse, and the concept of a shared global existence.

The debut of "As Seen Below - The Dome, a Skyspace" signifies the completion of ARoS' "The Next Level" expansion, a multi-year project developed in collaboration with Schmidt Hammer Lassen Architects. This initiative also includes The Salling Gallery, an underground exhibition area for annual contemporary commissions, which debuted in June 2025, and the Art Square, a permanent outdoor art platform slated for a 2026 opening. Turrell's dome acts as the conceptual and spatial cornerstone of this transformation, merging architecture, landscape, and perception into a unified artistic statement. Rebecca Matthews, Director of ARoS, enthusiastically declared the upcoming public opening in June 2026 as a pivotal moment in the museum's history, expressing pride that ARoS will host the artist's most significant Skyspace to date—an exceptional piece that invites visitors to pause, look upward, and engage with light, time, and space in profoundly moving ways.

The ARoS Aarhus Art Museum is preparing to unveil James Turrell's monumental Skyspace, "As Seen Below - The Dome," in June 2026. This permanent installation, the artist's largest within a museum, culminates the museum's significant expansion project, "The Next Level." The work invites collective contemplation of light and the sky, fostering a deeper connection to nature and a shared global experience through its unique architectural and sensory design.

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