Building materials

Zim & Zou's Paper Creations: A Nostalgic Journey Through Vintage Tech

Artists Lucie Thomas and Thibault Zimmermann, operating under the name Zim & Zou, are renowned for their exceptional paper art, transforming nostalgic items like vintage boomboxes and cassette tapes into captivating, tactile sculptures. Through a painstaking process involving layers, precise cuts, and meticulous folds of colored paper, they resurrect these symbols of a bygone era. Their work captures the essence of these classic devices with incredible accuracy, from the speaker grilles and control panels to the individual buttons and cassette slots, all rendered in a vivid, multi-dimensional paper format.

A standout piece in their collection is the paper boombox, which showcases remarkable attention to detail. The artists expertly replicate the distinct components of the boombox, including the twin speakers on either side and the central console replete with an array of buttons and sliders. Each functional element is delineated by contrasting blocks of color, emphasizing the intricate design. Even minute elements, such as the labeled buttons and the slender opening for the cassette tape, are painstakingly crafted. The subtle lines indicating volume levels and sound details are achieved by layering thin strips of paper, demonstrating their mastery over the medium. These works, part of their "Back to Basics II" series, celebrate the aesthetic and mechanical intricacies of vintage audio equipment.

Further expanding their imaginative portfolio, Zim & Zou also craft paper cassette tapes, each a miniature marvel. These rectangular creations feature two circular sections that faithfully represent the internal reels, meticulously constructed from layered paper. The main body of each tape is formed from carefully folded paper sheets, perfectly mimicking the original design. The full boombox sculpture includes additional details such as a folded paper handle on top and intricate vents and openings on its sides. These vibrant paper sculptures serve as a delightful juxtaposition of past technology and contemporary artistic techniques, allowing viewers to appreciate the design elements of these classic devices in a fresh and colorful light, offering a playful and insightful look into how audio devices were once constructed and operated.

Through their innovative use of paper, Zim & Zou not only pay homage to vintage technology but also highlight the enduring appeal of craftsmanship and creativity. Their art encourages us to reflect on the evolution of design and the tactile beauty of objects from simpler times, inspiring a sense of wonder and appreciation for the ingenuity embedded in everyday items.

SolidNature and AMO Unveil 'Il Sonno': A Journey Through Stone at Milan Design Week 2026

In anticipation of Milan Design Week 2026, SolidNature, in collaboration with AMO, the innovative think tank of OMA, is set to unveil a groundbreaking installation titled "Il Sonno." This ambitious project aims to redefine the ordinary experience of grocery shopping by transforming a conventional supermarket into a profound exploration of geological time. Through replacing common household goods with meticulously crafted stone artifacts, "Il Sonno" challenges the prevailing culture of disposability, advocating for a deeper awareness of consumption and the enduring nature of materials.

SolidNature and AMO's Transformative 'Il Sonno' Installation Redefines Everyday Objects into Timeless Art at Milan Design Week 2026

In a visionary collaboration that promises to captivate attendees at Milan Design Week 2026, David Mahyari, the insightful owner of SolidNature, alongside Samir Bantal, the esteemed Director of AMO (OMA's research and design studio), is presenting "Il Sonno." This unique installation, unveiled within designboom's "Room for Dreams" exhibition, reimagines a typical supermarket into an extraordinary showcase of geological artistry, inviting contemplation on the passage of time and the nature of permanence. Mahyari, a driving force behind SolidNature, embraces a "yes" philosophy, empowering Bantal and his team to push creative boundaries without compromise. This dynamic partnership, built on a fifteen-year history, leverages over 40 distinct varieties of stone to manifest abstract visions into tangible, spectacular forms. The installation, whose name "Il Sonno" translates to 'sleep' in Italian, poetically bridges the vast historical span of natural stone with our contemporary quest for a more conscious existence. It positions stone, a material that has witnessed millennia, as an eternal presence, making human interaction feel beautifully ephemeral. This perspective encourages visitors to consider a world where environments are shaped by long-term value and intentionality, rather than fleeting mass production. The process behind crafting "Il Sonno" exemplifies a delicate fusion of cutting-edge technology and time-honored artisanal techniques. SolidNature's production team employs advanced five-axis CNC machinery to meticulously replicate the familiar geometries of items like milk cartons and detergent bottles. However, it is the skilled hands of artisans that imbue these stone replicas with life, applying the nuanced detailing that transforms raw geological blocks into recognizable, yet profoundly transformed, commodities. Scheduled to open from April 21–26, 2026, between 10:00 AM and 8:00 PM daily, at the ME Milan Il Duca, Piazza della Repubblica, 13, 20124 Milano MI, "Il Sonno" promises an unparalleled immersive experience.

This innovative exhibition powerfully underscores the enduring dialogue between humanity and the natural world. It encourages us to pause amidst the hurried pace of modern life and acknowledge the profound history embedded within the materials that surround us. "Il Sonno" serves as a potent reminder that even in our transient existence, we possess the capacity to create lasting impact through thoughtful design and mindful consumption. The installation's commitment to sustainability, utilizing offcuts and existing stone blocks, further amplifies its message, highlighting stone's minimal carbon footprint and inherent durability. By showcasing the diverse beauty of stone, SolidNature and AMO not only challenge our perception of everyday objects but also inspire a deeper respect for our planet's invaluable resources. Visitors are left to ponder their own place in the grand tapestry of time, finding a sense of grounding and heightened awareness within the reflective sanctuary of "Il Sonno."

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Obama Presidential Center to Showcase Artworks by Prominent Artists

The Obama Presidential Center in Chicago, set to open its doors on June 19, 2026, will feature a rich collection of site-specific artworks by an esteemed group of commissioned artists. This curated selection aims to create an immersive experience for visitors, delving into the lives, values, and community connections of Barack and Michelle Obama. The pieces, ranging from portraits to installations and sculptures, promise to transform the campus into a dynamic hub of art and historical reflection, fostering a sense of shared human experience and civic engagement.

Obama Presidential Center Unveils Artistic Vision for Imminent Opening

In a significant announcement, the Obama Foundation recently named the final roster of artists whose original creations will grace the sprawling Obama Presidential Center campus in the vibrant city of Chicago. With the grand opening slated for a summer day, June 19, 2026, this landmark institution will soon welcome the public to experience a fusion of history, culture, and contemporary art. The newly announced artists include the distinguished Njideka Akunyili Crosby, María Magdalena Campos-Pons, Jeffrey Gibson, Rashid Johnson, Hugo McCloud, Martin Puryear, Lorna Simpson, and Norman Teague. Their collective contributions will seamlessly integrate with previously commissioned works, offering a profound artistic journey throughout the center's various spaces.

Njideka Akunyili Crosby has meticulously crafted an intimate portrait of Barack and Michelle Obama. Drawing inspiration from personal family albums, historical archives, and public life, her artwork, prominently displayed in the main lobby, establishes compelling links between the Obamas and a broader tapestry of individuals, encompassing artists, civic leaders, and everyday citizens. Meanwhile, María Magdalena Campos-Pons has conceived an evocative installation inspired by the White House garden. This piece, incorporating botanical elements, culinary references, and vibrant blooms, delves into themes of sustenance, land stewardship, and collective memory. It gracefully echoes Michelle Obama's dedication to promoting healthy eating habits while illustrating how a garden can encapsulate profound historical narratives and daily existence.

Jeffrey Gibson's contribution features a striking wall installation composed of 17 circular prints. These designs subtly reference the drums and badges historically associated with various social and political movements, seeking to harmoniously blend sound, message, and collective action. This work, alongside Rashid Johnson's intricate mosaic titled 'Broken Men,' which visually explores diverse human emotional and intellectual states through figurative forms, encourages contemplation on shared human experiences. Johnson's mosaic will find its home in the Teaching Kitchen, a hub within the Obama Presidential Center campus. Hugo McCloud's painting, meticulously constructed from layers of plastic and paint, intricately maps significant locations from Barack Obama's life, highlighting the powerful interplay between place and personal recollection.

Renowned sculptor Martin Puryear presents a monumental outdoor sculpture positioned within the main plaza. Its distinctive form, derived from a elongated, bending beam, subtly alludes to a resonant quote by Martin Luther King Jr. and honors the enduring legacy of civil rights leader John Lewis, underscoring the vital role of individual action in societal transformation. Lorna Simpson's artwork, part of her celebrated 'Ice' series, captures ethereal images of ice formations and expansive skies. Rendered through print and paint on a rigid surface, this piece bridges the conceptual gap between space, time, and the natural world, elegantly connecting the interior sanctity of the Obama Presidential Center campus with its surrounding landscape.

Furthermore, Norman Teague has designed eight exquisitely crafted wooden benches, strategically placed throughout the museum for contemplation and repose. Across all these diverse artworks, a unifying thread of memory emerges. Through the thoughtful deployment of imagery, objects, and significant places from the past, these works ensure that history remains a vibrant and present force in daily life. Beyond their individual artistic merit, the installations forge meaningful connections to Chicago, the iconic White House, and other pivotal locations from the Obamas' journey. This collective artistic endeavor cultivates a profound sense of community, gathering people together through the shared experience of art, from functional benches to compelling portraits and inviting public spaces. Ultimately, the Obama Presidential Center campus masterfully curates these works, creating a welcoming environment where visitors can immerse themselves in the rich histories of both the family and the city.

The integration of diverse artistic voices within the Obama Presidential Center offers a compelling model for how public institutions can utilize art to foster dialogue, connection, and a deeper understanding of history. By showcasing works that draw from personal narratives, cultural heritage, and universal human themes, the Center is poised to become more than just a repository of artifacts; it will be a dynamic space for reflection, education, and inspiration. This approach highlights the power of art to transcend mere aesthetics, serving instead as a vital conduit for memory, community building, and civic engagement, encouraging visitors to connect with the past and envision a more interconnected future.

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