Architectural Cases

A New Era of Sustainable Community Spaces

Innovative Conical Design and Community Integration

The Feltham Green Cabin, designed by Burgess Architects, marks a significant addition to the High Street in Feltham, London. This five-year endeavor culminated in a facility that not only serves the community's needs but also stands as a testament to sustainable architectural practices. The building's most recognizable element is its unique roof, fashioned from three distinct timber cones that vary in elevation. This thoughtful design imbues the compact 21-square-meter structure with a notable civic presence, surpassing expectations for its size.

Low-Carbon Construction and Environmental Performance

A core principle guiding the Feltham Green Cabin project was its environmental impact. Collaborating with Allt Environmental structural engineers, the design team successfully eliminated both concrete and steel from the construction process. The building's foundation utilizes compacted rubble, while the superstructure is entirely timber-based. The exterior is clad in lightweight FSC-certified poplar plywood, chosen for its natural hues that complement the surrounding plane trees of the Green. Further enhancing its sustainability, the cabin incorporates continuous external insulation, mechanical ventilation with heat recovery, solar panels with battery storage, and rainwater harvesting for irrigation, collectively achieving a net-zero operational status.

Versatile Spaces for Community Engagement

The Feltham Green Cabin was conceived from its inception as a space deeply rooted in its community, influencing its construction, material selection, and daily functionality. Its adaptable interior can host a wide array of activities, from gardening workshops and art classes to public meetings. The transparent and open facade ensures that passersby can readily observe the vibrant activities within, thereby contributing to the revitalization of a town center area that has long sought such an amenity. The cabin is now fully operational and available for use by the Friends of Feltham Green and the broader local community.

Gabriel Fontana's innovative project, "SIDELINED: A Space to Rethink Togetherness," developed with curator Amanda Pinatih, re-examines the fundamental structure of sports. Fontana views sports as meticulously designed systems, encompassing everything from playing fields and uniforms to the rules themselves, often accepted without critical examination. His work prompts a crucial discussion about the underlying values these designs reinforce and the potential for alternative structures that prioritize connection and shared experience over strict competition.

This ongoing exploration has manifested in various forms, including an alternative sports bar at the Venice Architecture Biennale and interactive workshops at Spain's Concéntrico Festival. Now at Rotterdam's Nieuwe Instituut, the exhibition continues to evolve, transforming the museum's rooftop into a dynamic public space. Through games, workshops, and events, "SIDELINED" invites visitors to actively engage with new ways of playing, emphasizing collaboration and negotiation. The initiative underscores the idea that by intentionally redesigning the elements of sport, from the physical environment to team dynamics, we can foster a more inclusive and cooperative culture.

Transforming Traditional Competition through Innovative Game Design

Gabriel Fontana's "SIDELINED" project introduces three groundbreaking alternative team sports—Multiform, Anonymous Allyship, and Fluid Field—each conceived to fundamentally alter the competitive landscape of traditional games. These sports challenge conventional expectations by modifying familiar elements such as static team compositions, fixed uniforms, and unchanging playing environments. Instead of focusing solely on winning, these designs steer players toward cooperation and negotiation, reframing competition as an opportunity for collective problem-solving and mutual understanding. Fontana's approach, which he describes as treating "queerness as a method," intentionally disrupts norms to create new avenues for interaction and collaboration. This design philosophy integrates uncertainty as a core component, compelling participants to adapt and learn together in unfamiliar scenarios rather than striving for individual triumph.

The underlying premise of these games stems from Fontana's observation that sport, much like architecture, acts as a designed system that orchestrates both physical and social interactions. By highlighting how elements like stadiums, jerseys, and equipment influence not only the game's mechanics but also how individuals relate to one another, "SIDELINED" encourages a deeper contemplation of these systemic structures. The initiative extends beyond the playing field into the conceptual realm of a sports bar, featuring elements such as a Fluid Foosball Table that eliminates fixed teams, promoting spontaneous collaboration. Supporting diverse community initiatives like Queer Gym Rotterdam and Sportcafé Costa del Sol, which leverage sport as a nexus for various groups, the project also integrates artistic contributions, including soundscapes and films that explore sport's role in political resistance. Even the trophy cabinet subverts traditional notions of victory, instead recognizing collaborative effort, care, and innovative adaptation.

Reimagining Shared Spaces: From Sports Arenas to Community Hubs

The transition of "SIDELINED" from a theoretical proposition in Venice to an active cultural presence in Rotterdam highlights its adaptable nature and profound impact on public spaces. Curator Amanda Pinatih explains that the sports bar concept, while integral to sports culture, was chosen to provoke reflection on inclusivity and exclusion within such environments. Sports bars, as sites of both social interaction and identity formation, bring diverse communities together through shared experiences. However, they also frequently mirror societal divisions, making them ideal venues for examining how belonging and marginalization are fostered. By closely scrutinizing these dynamics, Pinatih suggests that we can rethink the design of public spaces to create more welcoming and equitable environments for all. The project's evolution in Rotterdam, where it becomes part of daily cultural life, invites ongoing participation and iterative reshaping by the community.

In Rotterdam, "SIDELINED" transcends its initial conceptual framework, offering a dynamic and interactive experience where games, workshops, and public programs actively encourage engagement and repeated visits. This hands-on approach allows the installation to continually transform based on community interaction, reinforcing its core message of shared responsibility and collective creation. By prompting observers to re-evaluate familiar sporting elements—jerseys, playing fields, scoreboards, and rules—as deliberately designed objects, the project opens up critical inquiry. It compels us to ask fundamental questions about who these systems were originally built to serve, who is included or excluded by their design, and how they might be re-envisioned to function more inclusively and equitably. This continuous dialogue and adaptation underscore the transformative potential of design in fostering greater togetherness and challenging established norms within the realm of sport and beyond.