Building materials

MJ Fraser's 'Trees From The Garden': Sculptural Lamps Inspired by Nature

Designer MJ Fraser introduces a captivating collection of lighting fixtures titled 'Trees From The Garden,' drawing inspiration from the organic forms and textures of trees that populated his childhood surroundings. This innovative series reimagines the role of natural elements in design, moving beyond conventional timber applications to focus on the intricate surface characteristics of bark and branches. Each lamp in the collection is meticulously crafted using unique molds derived from specific tree sections, ensuring that every piece possesses its own distinctive variations. The primary material employed is a biodegradable thermoplastic, which, combined with natural mineral paints, establishes a sustainable material system that beautifully integrates organic references with modern synthetic processing techniques.

Fraser's project represents a thoughtful re-evaluation of how trees are utilized in the realm of design. Instead of harvesting and processing wood into standardized components, the focus shifts to preserving and replicating the inherent textures, natural irregularities, and patterns found on tree surfaces. These captured elements are then transformed into modular units, which are assembled using a 'cut and paste' methodology. This process results in layered compositions that emphasize both subtle variations and harmonious repetitions, reflecting an intuitive and associative approach to construction. The design process allows forms to evolve through incremental decisions, all while adhering to a well-defined conceptual framework.

Embracing Nature's Texture: From Tree to Illumination

MJ Fraser's "Trees From The Garden" collection stands as a testament to innovative design, transforming natural elements into captivating light installations. By meticulously creating individual molds from the bark and branches of trees from his childhood, Fraser captures the unique textures and irregularities of nature, moving away from conventional wood utilization. This approach not only preserves the authentic aesthetic of trees but also incorporates a biodegradable thermoplastic, demonstrating a commitment to environmental consciousness. The resulting lamps are distinct, modular components, assembled to highlight the organic beauty and subtle variations found in the arboreal world, offering a fresh perspective on sustainable lighting design.

The creative genesis of this collection lies in Fraser's personal connection to the trees of his youth. Rather than merely replicating their form, he delves into their surface qualities, extracting the essence of their bark and branch structures. This method allows for a deeper appreciation of nature's inherent artistry, translating the tactile and visual nuances into functional objects. The use of a biodegradable thermoplastic, infused with approximately 30 percent waste sawdust, further underscores the project's dedication to material efficiency and eco-friendly practices. Each lamp becomes a unique narrative, a blend of memory, material innovation, and a controlled design process, where the subtle interplay of light and shadow through these textured surfaces evokes the tranquil experience of a natural environment.

Sustainable Craftsmanship: Material Innovation and Eco-Conscious Production

The collection showcases a strong emphasis on material efficiency, integrating sustainability throughout both its conceptualization and manufacturing. A significant component of the thermoplastic used is derived from waste sawdust, directly linking the material back to its natural origins and minimizing the reliance on virgin resources. The production methodology is designed to be low-waste, with all offcuts being reheated and repurposed as welding material or internal structural elements, thereby achieving a closed-loop system. The material’s inherent heat-activated adhesive properties eliminate the need for additional chemical bonding agents, and all surfaces are finished with natural mineral paints, ensuring a non-toxic and environmentally friendly product.

Ultimately, these lamps serve as a sophisticated interpretation of natural forms, transmuted into carefully constructed objects. The intricate surface textures, dynamic layered silhouettes, and softly diffused light qualities collectively create an ambiance that subtly echoes the sensory experience of encountering trees. The entire project meticulously weaves together themes of personal memory, innovative material science, and precise fabrication techniques. It represents a process where the inherent structures of nature are not merely copied but are thoughtfully reinterpreted and refined through a controlled design methodology, resulting in pieces that are both aesthetically compelling and environmentally responsible.

BIG Completes Three Rammed Earth Villas for NOT A HOTEL in Japan

Bjarke Ingels Group (BIG) has inaugurated its first completed architectural endeavor in Japan, a collection of three distinctive villas known as NOT A HOTEL Setouchi. Nestled on Sagishima, a secluded island, these luxury residences seamlessly integrate into the natural slope of the terrain, showcasing a harmonious blend of traditional Japanese aesthetics and modern Scandinavian design principles.

Experience Serenity: NOT A HOTEL Setouchi - Where Nature Meets Modern Luxury

The Visionary Design of NOT A HOTEL Setouchi: A Fusion of Tradition and Innovation

Bjarke Ingels Group's NOT A HOTEL Setouchi project on Sagishima Island marks a significant milestone as their inaugural completed work in Japan. Spanning an expansive 30,000-square-meter site on the island's southwestern cape, the development features three unique villas. A core element of their construction involves load-bearing walls crafted from locally excavated soil, employing the ancient technique of rammed earth. This approach not only minimizes environmental impact but also anchors the structures deeply within their natural surroundings.

Architectural Dialogue: Japanese Vernacular Reimagined with Scandinavian Sensibility

The architectural philosophy behind NOT A HOTEL Setouchi elegantly reinterprets traditional Japanese design tenets through a distinctive Scandinavian lens. Glass facades, reminiscent of shoji screens, blur the distinction between interior and exterior spaces, fostering a profound connection to the surrounding nature. Inside, black slate floors evoke the geometric precision of tatami mats. The roofs are adorned with low-reflective solar tiles, a contemporary adaptation of classic Japanese roofing, while operable facades and extended overhangs facilitate passive cooling. An integrated rainwater harvesting system sustains the lush landscaping. Before construction began, indigenous grasses were carefully transplanted and later reintroduced alongside newly planted olive and lemon trees, ensuring the preservation and enhancement of the site's undulating character.

Panoramic Perspectives: Three Villas, Endless Views of Sagishima Island

The trio of four-bedroom villas, each named '180', '270', and '360' to reflect their unique panoramic vistas, are thoughtfully dispersed across the varied elevations of the island. Each villa's design is meticulously tailored to its specific location. '360', perched at the highest point, offers sweeping, unobstructed views in every direction, organized around a tranquil inner courtyard. '270' frames breathtaking views of the surrounding archipelago, complete with a sauna, firepit, and outdoor lounging areas centered around a swimming pool. '180', situated nearest to the water, mirrors the curved contours of the coastline, featuring a verdant mossy courtyard planted with trees that transition with the seasons. Internally, each villa is conceived as a seamless, flowing space, with bathrooms and storage discreetly housed within separate pods topped with skylights, ensuring every room benefits from natural light and sky views.

Exclusive Ownership: A Luxury Fractional Model

NOT A HOTEL Setouchi is an integral part of the NOT A HOTEL brand's expanding portfolio of luxury vacation homes across Japan. These exquisite properties are offered through a fractional ownership model, providing an exclusive opportunity for individuals to own a share in these remarkable architectural masterpieces.

See More

PLNLstudio Transforms a Disused Sewage Tank into a Contemporary Amsterdam Residence

In a remarkable feat of architectural transformation, Rotterdam-based PLNLstudio has meticulously redesigned a disused sewage tank in Amsterdam, converting it into the stylish and functional Trommel no.4 apartment. This innovative project, located on the ground floor of a distinctive building originally conceived by SeARCH architects, stands as a prime illustration of adaptive reuse, where industrial infrastructure is reimagined as modern living spaces. The design philosophy behind this conversion was to honor the building's inherent character, embracing its unique geometries and raw material essence, thereby seamlessly blending the new residential unit with its architectural heritage.

The material selection for Trommel no.4 deliberately echoes its industrial past while introducing contemporary flair. Concrete flooring forms a robust base, complemented by bespoke furniture crafted to align with the tones of the window frames. The strategic incorporation of reflective stainless-steel elements not only enhances the visual appeal but also plays a crucial role in distributing light and adding practical functionality to the compact interior. This thoughtful combination of components creates a coherent and inviting living environment that pays homage to the original structure's integrity.

Given the confined dimensions of the former tank, the spatial arrangement demanded meticulous planning and numerous iterations to perfectly align with the client's requirements. Key objectives included the creation of an efficient work area and the maximization of storage solutions. The eventual design successfully delivers ample, well-integrated storage through built-in wardrobes and cleverly concealed compartments, notably beneath a custom-designed seating arrangement. This seating, conforming to the wall's natural curvature, optimizes the available footprint, providing a more efficient use of space compared to conventional rectangular layouts.

A significant aspect of the design was ensuring abundant natural light throughout the apartment. Daylight penetrates not only the primary living areas but also extends into spaces traditionally enclosed, such as the bathroom and walk-in closet. This is achieved through the incorporation of glass doors and internal windows, which facilitate the flow of light while maintaining privacy via semi-transparent glazing with an integrated metal grid. Despite a modest ceiling height, these ingenious interventions contribute to a surprisingly expansive and airy feel within the apartment. The triumph of this PLNLstudio project is largely attributed to the client's progressive mindset and their active involvement, offering valuable insights that enriched the design process. It stands as a testament to how creative design and strong collaboration can achieve superior results, even within a constrained budget.

The Trommel no.4 apartment in Amsterdam exemplifies how architectural ingenuity can breathe new life into forgotten spaces. By transforming an industrial relic into a chic, functional home, PLNLstudio has demonstrated the potential for sustainable urban development. This project not only offers a unique living experience but also highlights a forward-thinking approach to architectural design that prioritizes adaptability, aesthetic harmony, and spatial efficiency.

See More