Architectural Cases

In a remarkable architectural endeavor, HCCH Studio has reimagined a previously overlooked area in China's Mount Luofu, transforming it into an innovative and welcoming rest area for cyclists and tourists alike. This circular concrete structure, dubbed 'Resting Loop with Views,' exemplifies a harmonious blend of modern design and natural surroundings, providing both practical facilities and breathtaking vistas. Its strategic placement and thoughtful construction have successfully converted a simple buffer zone into a vibrant public space, fostering interaction with the picturesque creekside environment.

Situated on a stone platform amidst the rugged terrain of Mount Luofu, the pavilion occupies a site that once served as an informal parking area at a sharp bend in the roadway, acting primarily as a transitional space between a highway and a river. The design intervention by HCCH Studio has fundamentally altered this perception, giving purpose to the residual space. The pavilion now caters specifically to the needs of cyclists, offering secure bicycle parking, refreshment options, and most importantly, designated viewing points that allow visitors to fully appreciate the stunning landscape. This thoughtful consideration for its users and the environment has been central to the project's success.

The pavilion's striking design centers around a circular concrete ring, approximately 16 meters in outer diameter, which is elegantly elevated above a recessed plaza. This unique 'donut' configuration is punctuated by a series of vertical cuts that create distinct oval openings. These strategically positioned apertures frame dynamic views of the adjacent river, the rolling hills, and the expansive sky, allowing the natural beauty of Mount Luofu to become an integral part of the architectural experience. The interior of the pavilion is organized into two distinct levels of circulation. The lower level is dedicated to social activities, featuring comfortable seating arrangements and a café, creating an inviting atmosphere for relaxation. In contrast, the upper level serves as a continuous, looping promenade, offering elevated and uninterrupted panoramic views across the site, encouraging visitors to explore and engage with their surroundings from a different perspective.

Further enhancing its integration with the natural setting, the exterior of the concrete ring was meticulously cast using bamboo-textured formwork. This innovative technique left an impression of raised bamboo sections, each roughly 7 centimeters in diameter, on the concrete surface. This tactile finish pays homage to the local vegetation, introducing a natural and organic quality to the otherwise robust material. In stark contrast, the interior surface of the ring maintains a smooth, seamless finish, creating an abstract and contemplative spatial experience. The transition between these two distinct textures is deliberately highlighted along the edges of the oval openings, where irregular profiles dramatically emphasize the interplay of rough and smooth surfaces, drawing attention to the pavilion's unique material narrative.

Beyond its aesthetic appeal, the pavilion houses essential amenities within three supporting concrete volumes located in the sunken plaza. These structures discreetly accommodate a small café, a public restroom, and a storage area. Openings within these volumes are precisely aligned to establish visual connections between the interior and exterior spaces, further reinforcing the spatial continuity that defines the entire site. The exterior of these volumes is finished with a dark, hammered surface that visually complements the stone paving of the plaza and the sculptural seating elements, known as 'Social Stone,' created by artist SU Chang, weaving together a cohesive and thoughtfully designed environment.

Initially envisioned as a serene addition to the mountainous landscape, the pavilion has unexpectedly blossomed into a vibrant hub, drawing in a steady stream of cyclists and tourists. Its prominent visibility from the roadway and the unparalleled elevated views it offers have played a crucial role in transforming this erstwhile buffer zone into a bustling public area. The project successfully accommodates diverse activities, from moments of tranquil rest to dynamic movement and keen observation, all within the captivating creekside environment. This innovative architectural intervention by HCCH Studio not only addresses a functional need but also enriches the visitor experience, creating a memorable destination that harmonizes with nature.

On China's Huanglong Island, Zhide Architectural Design has unveiled a mesmerizing architectural art piece named OAS/S-ELY. This public art installation, strategically placed amidst the island's windswept coastline and rugged reefs, functions as an artistic portal that beautifully weaves together the past, present, and future. Crafted primarily from robust steel components, the structure incorporates a clever misting system that releases water vapor, evoking the ethereal presence of clouds. This innovative design not only marks a significant point within the island's terrain but also fosters dialogue on rural revitalization and forward-thinking architectural approaches.

Detailed Report: OAS/S-ELY - An Emblem of Coastal Innovation and Community Engagement

Situated in Shengsi County, Zhoushan City, Zhejiang Province, China, the OAS/S-ELY installation by Zhide Architectural Design emerges as a focal point within the dramatic coastal environment of Huanglong Island. This distinctive public artwork, conceived as a 'spatial marker', avoids direct symbolic representation, instead embracing themes of movement and transition. The design studio, Zhide, carefully integrated a controlled misting system, which transforms the installation's appearance and the surrounding atmosphere by generating cloud-like conditions. This dynamic interplay with the environment ensures that the perception of the space continuously evolves, influenced by both weather patterns and the presence of visitors.

This art piece is not merely an aesthetic addition but also a vital component of the 'Island Co-construction Project', a long-term rural sustainability initiative championed by Ideal in the Wild. Operating as a 20-year research and development framework, this project utilizes Huanglong Island as an experimental ground for sustainable rural practices. It uniquely combines physical architectural interventions with active community participation. Furthermore, an extensive online co-creation network supports this endeavor, drawing in over 3,000 global participants who contribute to discussions and proposals concerning rural development. OAS/S-ELY, through its material composition, environmental responsiveness, and its role within this expansive sustainability context, serves as both a compelling architectural object and a dynamic platform for interaction, probing the ways in which built forms can harmonize with ecological processes and collective engagement.

A Reflection on the Fusion of Art, Nature, and Community

The OAS/S-ELY installation presents a compelling vision for how art and architecture can serve as catalysts for community development and environmental engagement. As a journalist, I find the integration of a misting system particularly thought-provoking, as it blurs the lines between static art and dynamic, living environments. This project inspires us to consider how public spaces can be designed not just for visual appeal, but also to encourage interaction, reflection, and a deeper connection with our surroundings. It exemplifies how thoughtful design can contribute to a larger conversation about sustainability and the future of rural landscapes, offering a model for other regions seeking to blend cultural expression with ecological responsibility.