Building materials

LANZA Atelier to Design Serpentine Pavilion 2026 with Crinkle-Crankle Wall Inspiration

The esteemed Serpentine Pavilion, a beacon of architectural innovation, will once again grace London's Kensington Gardens in 2026, this time under the creative vision of Mexico's LANZA atelier. Founded by the talented duo Isabel Abascal and Alessandro Arienzo, their proposal, aptly named 'a serpentine', promises a structure that marries historical ingenuity with contemporary design, setting the stage for the 25th anniversary of this celebrated architectural series.

LANZA Atelier's "a serpentine" Pavilion: A Fusion of History and Modernity for Serpentine's 25th Edition

In a significant announcement coinciding with the Serpentine Pavilion's quarter-century milestone, Mexican architecture firm LANZA atelier, under the leadership of Isabel Abascal and Alessandro Arienzo, has been commissioned to conceptualize the 2026 edition. Slated to open its doors to the public on June 6, 2026, at Serpentine South within London’s picturesque Kensington Gardens, the pavilion, christened 'a serpentine', takes its foundational inspiration from the ancient crinkle-crankle wall. This distinctive English architectural feature, characterized by its undulating curves, offers inherent structural integrity, permitting a single-brick thickness while maintaining robust strength. The selection of LANZA atelier for this prestigious project also marks a special collaboration with the Zaha Hadid Foundation, aiming to reflect upon the enduring legacy of the inaugural pavilion designed by the legendary Zaha Hadid in the year 2000.

LANZA atelier's design positions the pavilion strategically on the northern expanse of the site, articulated by two principal walls. One gracefully echoes the serpentine geometry, while the other harmonizes with the existing arboreal canopy. A delicate, translucent roof is poised atop brick columns, creating an illusion reminiscent of a tranquil grove, facilitating the unhindered flow of light and air throughout the structure. Brick, as the chosen primary material, pays homage to both the quintessential English garden heritage and the venerable brick facade of the adjacent Serpentine South Gallery. Through a meticulous rhythmic arrangement, the brick columns transition from solid to permeable, crafting an inviting gradient of openness. The architects envision this material approach as a symbolic bridge, connecting European and American vernacular traditions through shared construction principles, rather than overt symbolic gestures. As described by the architectural pair, the project functions as 'a device that both reveals and withholds', subtly guiding visitors' movement through the space. They draw an intriguing parallel to England's historical fruit walls, which ingeniously manipulated microclimates to foster sheltered environments. From this rich lineage, a pavilion emerges, meticulously crafted from humble clay brick, underscoring what the architects term 'the elemental capacity of architecture to bring people together'.

Since its inception, the Serpentine Pavilion has been a vibrant arena for architectural experimentation, providing a unique platform for architects to realize their innovative concepts in an accessible public setting. Over the years, this commission has evolved beyond a singular structure, transforming into a dynamic cultural infrastructure that hosts an array of lectures, performances, screenings, and interdisciplinary gatherings. Bettina Korek, CEO of Serpentine, aptly characterizes the Pavilion as an entity transcending its physical form, fostering profound connections among people, the surrounding landscape, and groundbreaking ideas. Artistic director Hans Ulrich Obrist underscores the institution's recent emphasis on supporting emerging talents, highlighting LANZA atelier's work as deeply rooted in material, context, and the human experience. Their forthcoming pavilion, he notes, is conceived as a 'content machine', poised to host a diverse program of live events throughout the summer and autumn seasons.

The 2026 installment will further incorporate a dedicated architectural program, meticulously developed in conjunction with the Zaha Hadid Foundation. This initiative is designed to commemorate Hadid's indelible legacy while nurturing transnational and intergenerational dialogues surrounding critical contemporary architectural discourse. Esteemed former Pavilion architects will be invited to contribute, thereby weaving the rich tapestry of the Pavilion's past into its promising future trajectories.

The selection of LANZA atelier for the 2026 Serpentine Pavilion underscores a commitment to innovative architectural thought and cross-cultural dialogue. Their design, inspired by the enduring elegance and structural wisdom of the crinkle-crankle wall, promises to be more than just a temporary structure; it will be a thoughtful intervention that engages with its historical context while looking forward. The Pavilion’s role as a platform for open-access experimentation and cultural programming continues to grow, enriching public life and pushing the boundaries of architectural practice. This upcoming edition, with its focus on brick, climate interaction, and material narratives, exemplifies how architecture can facilitate connection and inspire new ways of experiencing space.

The Pioneering Lunar Hotel: A Vision for Space Tourism and Sustainable Off-World Living

Galactic Resource Utilization (GRU) Space is pioneering the construction of the first hotel on the Moon, utilizing innovative inflatable architectures combined with lunar regolith. This ambitious undertaking seeks to kickstart a sustainable space economy through tourism, while simultaneously serving as a critical testing ground for technologies essential for long-term human habitation beyond our planet. The project envisions a future where lunar resources are integral to building expansive off-world settlements, beginning with short-stay accommodations for visitors.

Embark on an extraordinary journey to the cosmos: Your celestial stay awaits on the lunar frontier.

Constructing the First Lunar Hotel: A New Era for Space Travel

Galactic Resource Utilization (GRU) Space is set to establish the initial hospitality complex on the Moon. This groundbreaking endeavor will combine expandable modules with building materials derived from lunar soil. The team believes that fostering space tourism is the most efficient method to cultivate a genuine economy on the Moon. By enabling individuals to visit and reside there temporarily, they can generate revenue, evaluate nascent technologies, and progressively forge the necessary infrastructure for extended human existence beyond Earth's confines. The premier lunar hotel is conceived for brief visits, catering to transient guests rather than permanent inhabitants.

Evolution of Lunar Habitation: From Earth-Built Modules to Self-Sustaining Structures

Initially, this lunar outpost will be modest, uncomplicated, and primarily assembled on Earth. However, over time, it is projected to expand significantly, incorporating materials directly sourced from the Moon's surface. The GRU Space team emphasizes that this hotel transcends mere tourism; it functions as an experimental site for developing essential structures such as bases, roadways, and storage facilities critical for human activities in space. The design incorporates inflatable structures, akin to advanced space tents, which are compactly stowed in rockets for transport and then expanded upon reaching the lunar environment. This approach optimizes both weight and volume during launch phases.

Advanced Design Features and Resource Utilization for Lunar Living

Each inflatable section of the initial lunar hotel features multiple layers, including a protective inner lining to prevent damage, an airtight membrane for oxygen retention, and exterior layers designed to shield against micrometeoroids, radiation, extreme temperatures, and intense solar exposure. The recently established GRU Space organization indicates that subsequent iterations of the hotel will incorporate lunar regolith, or moon soil, to construct robust external walls. Specialized machinery will blend moon dust with binding agents transported from Earth, producing stone-like construction material. The overarching objective of this venture is to foster a self-sufficient space economy, with the hotel representing merely the inaugural phase. Following this, the team intends to erect lunar bases, and subsequently replicate this process on Mars. Ultimately, the plan involves utilizing space-based resources rather than relying perpetually on Earth-bound supplies, potentially paving the way for extensive human settlements throughout the solar system.

Phased Development of the Pioneering Lunar Tourism Initiative

This ambitious undertaking draws upon the proven concept of inflatable space habitats, which have already undergone orbital testing. The project's timeline commences with a mission scheduled for 2029, during which a compact test module will be deployed on the Moon. This module will inflate a miniature version of the hotel to assess air pressure, temperature regulation, and radiation shielding, alongside experimenting with the production of building materials from lunar soil using a compact drilling and mixing system. The subsequent mission in 2031 involves landing a larger structure near a natural lunar pit, which offers inherent protection against radiation and temperature fluctuations. This phase will also entail testing a more expansive inflatable module and enhanced construction machinery, as well as transmitting the initial interior imagery from a lunar pit. The year 2032 marks the deployment of the first operational lunar hotel. This facility will be entirely constructed on Earth before being transported to the Moon and inflated. It is designed to accommodate up to four guests, providing essential oxygen, water recycling, climate control, and emergency safety systems. The hotel is engineered for a minimum operational lifespan of ten years, with plans for expansion in a fourth mission. This expansion will involve the incorporation of lunar-derived materials and the deployment of robotic systems to erect solid outer walls around the inflatable living quarters. Presently, the team is actively preparing for the initial phase of this groundbreaking mission, slated for 202

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Marta Exhibition Showcases Reclaimed Wood Art from LA Wildfires

A remarkable showcase is currently underway at Marta in Los Angeles, co-curated by Vince Skelly, featuring a collective of 22 artists and designers. This distinctive exhibition, running until January 31st, 2026, centers on artistic creations made from wood salvaged from the 2025 Eaton Fire, which severely impacted the Altadena foothills. With support from Angel City Lumber, this collection highlights how material can convey narratives of remembrance, destruction, and renewal, precisely one year after the catastrophic blazes that ravaged large areas of Los Angeles County.

Central to this exhibit is the transformed timber, meticulously sourced and shaped by each artist. Every participant chose a piece of lumber supplied by Angel City Lumber, a local enterprise dedicated to repurposing fallen trees. The wood, originating from Altadena, includes diverse species native to the region, such as Aleppo pine, cedar, coastal live oak, and Shamel ash. These raw materials have been masterfully crafted into utilitarian items like seating, tables, and vessels. This emphasis on functionality suggests a hopeful vision for how affected landscapes can once again support daily existence.

The display, arranged in a naturalistic, forest-like manner throughout Marta's Silver Lake gallery, encourages visitors to move through the space as they would a natural woodland, reinforcing the idea that trees are vital, interactive elements of our surroundings. The works intentionally retain characteristics of their former life, such as charring, visible grain, and natural imperfections, resisting complete alteration. The artists collaborated with the wood itself, acknowledging the profound influence of time, climate, and fire. This shared origin unites the diverse creations, making the exhibition a powerful tribute and a forward-looking proposal on the anniversary of the fires, celebrating endurance and the enduring possibility of reuse.

This exhibition serves as a poignant reminder that even in the wake of profound destruction, there lies an inherent capacity for rebirth and creative ingenuity. It encourages us to appreciate the resilience of both nature and the human spirit, demonstrating how repurposing can transform tragedy into objects of beauty and utility. The artists' collective effort underscores a message of hope, illustrating that new forms and meanings can emerge from what was once considered lost, inspiring a positive outlook on recovery and sustainable living.

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