Building materials

Korean Hanji Paper: A Millennium of Craft Meets Modern Design

At the 2026 Paris Design Week, the Korea Craft & Design Foundation (KCDF) introduced 'Hanji House', a captivating exhibition that spotlights the enduring legacy and innovative future of Hanji, traditional Korean paper. Crafted from the fibers of paper mulberry bark, Hanji boasts a thousand-year history, yet it's being redefined as a high-performance, sustainable biomaterial. This versatile medium is now finding new applications in contemporary furniture, lighting, and spatial architecture, demonstrating its adaptability to modern design challenges. The showcase not only highlights Hanji's aesthetic qualities but also its practical benefits as a renewable, plant-based resource, offering creative solutions for today's built environments. The initiative aims to solidify Hanji's global recognition, especially as a UNESCO decision on its cultural heritage status is anticipated, underscoring its profound significance and future potential.

The 'Hanji House' exhibition serves as a crucial platform for KCDF and Korea's Ministry of Culture, Sports and Tourism to promote Hanji on the international stage. Traditionally used in everyday Korean life for writing, windows, and flooring, Hanji's capabilities are now expanding into diverse fields, including cultural heritage preservation, art restoration, and various lifestyle products. This international presentation is strategically timed, coinciding with the 140th anniversary of diplomatic relations between Korea and France, and precedes UNESCO's vital decision regarding the inclusion of 'Traditional knowledge and skills associated with the production of Hanji and related cultural practices in the Republic of Korea' on the Representative List of the Intangible Cultural Heritage of Humanity. KCDF President Kyungbae Kim emphasized that Hanji embodies centuries of craftsmanship and traditional papermaking while offering the sustainability and versatility demanded by the current design industry, paving the way for Korean traditional culture businesses to thrive globally.

Hanji: An Ancient Material Reimagined for Modern Living

The 'Hanji House' exhibition at Maison&Objet 2026 showcases how this traditional Korean paper, made from paper mulberry bark, is being revitalized as a sustainable biomaterial for a range of contemporary applications. This initiative by the Korea Craft & Design Foundation (KCDF) demonstrates Hanji's remarkable versatility, moving beyond its historical uses in writing and architecture to inspire innovative furniture, lighting fixtures, and spatial designs. The display features a dynamic interior skin that interacts with light, illustrating Hanji's aesthetic appeal and functional adaptability in modern built environments. This reinterpretation highlights the material's resilience and eco-friendly attributes, presenting a compelling vision for its role in sustainable design.

During Paris Design Week 2026, from September 10 to 14, the KCDF presented 'Hanji House' at Maison&Objet, aiming to integrate the tactile elegance of Korean traditional craftsmanship into global design dialogues. Hanji, a thousand-year-old handmade paper, is being recast as a high-performance biomaterial suitable for contemporary furniture, unique lighting installations, and innovative architectural spaces. The exhibition masterfully diffuses light through a dynamic interior made of Hanji, demonstrating how this renewable, plant-based medium can provide sustainable solutions for modern built environments. This showcase emphasizes Hanji's ability to combine deep historical roots with forward-thinking material science, positioning it as a key element in future sustainable design practices.

Bridging Tradition and Innovation: Hanji's Global Showcase

The exhibition at Maison&Objet's pavilion was meticulously designed to evoke a sense of soft translucency and natural airflow, fostering an inviting atmosphere where contemporary minimalism converges with organic comfort. At its heart, the industrial design studio SWNA unveiled an experimental furniture collection, revealing how Hanji seamlessly integrates with rigid materials such as metal and stone. This innovative fusion results in captivating pieces, including gracefully curved lights that appear to float, sophisticated cabinets, and luminous partitions, each showcasing Hanji's unique ability to transform and adapt to diverse design forms. This section of the exhibit masterfully highlights the material's potential to bridge traditional craftsmanship with cutting-edge design, creating objects that are both aesthetically pleasing and structurally sound.

Throughout the pavilion, seven distinguished Korean artisans demonstrated the transformative capabilities of Hanji, showcasing how this durable, plant-based medium can be fashioned into a wide array of functional design objects. Participating studios like HANJI PARK Materials Lab, FIDES INTERNATIONAL Co., toolpress, SOMIDANG, marquage g, CURATED COLUMNS, and PULBAT presented an eclectic collection ranging from exquisitely handcrafted heritage sheets and art restoration supplies to bespoke stationery, aromatic fragrance pieces, and elegant interior fixtures. This collective presentation exemplifies the harmonious blend of traditional handcraft techniques with modern production methods. The exhibition not only offers architects and designers a practical and sustainable material but also provides a rich source of inspiration for incorporating Hanji into contemporary spaces, promoting its enduring legacy and versatile applications in the global design landscape.

Kawamura Electric Headquarters: A Fusion of Work, Nature, and Community by KIAS

The new Kawamura Electric headquarters in central Nagoya, crafted by KIAS Architects, stands as a testament to integrated design, seamlessly blending professional environments with cultural engagement, natural elements, and social connectivity. This seven-story edifice serves as a dynamic hub, designed to foster interaction among employees, clients, and the broader community, moving beyond the traditional confines of a mere workplace.

Its exterior showcases a compelling contrast: the lower sections are adorned with robust, highly textured bricks from Hekinan, while the upper levels are enveloped in a sophisticated grid of glass-fiber reinforced concrete (GRC). This intentional displacement creates a distinct visual separation, allowing each volume to assert its unique presence. Inside, a magnificent seven-story atrium, graced with a lush vertical garden by French artist Patrick Blanc, acts as the building's social and environmental core, enhancing natural ventilation and fostering a sense of interconnectedness across all floors.

Architectural Harmony: Blending Contrasting Textures and Innovative Materials

The Kawamura Electric Headquarters in Nagoya, designed by KIAS, is a seven-story building that integrates office spaces, an art gallery, and a multipurpose hall. Its unique design aims to connect employees, clients, and the community by blending contrasting materials and fostering social interaction. The facade features heavily textured local bricks on the lower levels and a fine GRC lattice on the upper levels, creating a visually layered and permeable appearance. This thoughtful material selection not only addresses environmental concerns but also adds a distinctive aesthetic to the urban landscape, harmonizing with the surrounding temples and parks.

The building's exterior is a study in contrasting textures and materials, specifically crafted to reduce its imposing scale within a diverse neighborhood. The lower portion is clad in rough, custom-made bricks from Hekinan, Aichi Prefecture, offering a grounded and tactile presence. In stark contrast, the upper volume is encased in a delicate GRC lattice, which acts as a solar moderator while integrating the window systems, giving the facade a layered and translucent quality. This strategic material interplay and subtle volumetric shifts ensure the building harmonizes with its surroundings, providing a welcoming and contextual presence. The meticulous attention to detail extends to the brickwork, where slight variations in length and projection create dynamic shadow play, highlighting the craftsmanship and architectural expression of each unit.

A Green Heart: The Atrium as a Social and Environmental Core

Stepping inside the Kawamura Electric Headquarters, visitors are greeted by a striking seven-story atrium that serves as the building's central social and environmental focal point. This expansive void facilitates natural ventilation and creates seamless visual and acoustic connections between various zones, including offices, executive floors, and the cafeteria. A remarkable 12-meter-long vertical garden, along with extensive plantings designed by Patrick Blanc, transforms the atrium into a luminous forest ravine, infusing the interior with natural beauty and a calming atmosphere, promoting well-being and fostering informal interactions.

Beyond its aesthetic appeal, the atrium, with its verdant vertical garden and diverse plant species, functions as the vibrant heart of the headquarters. It cultivates a sense of community by allowing movement and activity to be perceived across different areas, encouraging spontaneous interactions and a dynamic work environment. The integration of artworks by Yojiro Imasaka, Takuro Kuwata, and Hirosuke Yabe, alongside carefully selected interior materials such as terrazzo stairs and handmade tiles, extends the building's material palette inward, creating a cohesive and inspiring space. This thoughtful design blurs the lines between a conventional workplace and a cultural hub, bringing art, nature, and refined material details into the daily lives of its occupants, thereby enriching the overall experience and expanding the concept of a modern office.

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Javier Senosiain's Quetzalcóatl Park: A Serpentine Oasis Near Mexico City

Nestled about an hour from Mexico City, Javier Senosiain Aguilar's Quetzalcóatl Park stands as an expansive, serpent-inspired masterpiece, an ongoing project since its inception in 2007. Visitors can wander through its vibrant, kaleidoscopic greenhouse, where light fragments through stained glass, or navigate its verdant labyrinths. The park's central aquatic feature, intricately mosaiced and shaped like a serpent's head, cascades water into a serene reservoir, inviting immersion in the architect's imaginative and lush design.

Senosiain's architectural philosophy is deeply rooted in the natural and animal worlds, with the serpent being a recurring motif. This is evident throughout Quetzalcóatl Park, which is named after the feathered serpent deity of Aztec mythology. A mosaic-covered serpent forms a waterfall overlooking the landscape, while curving amphitheaters and winding pathways evoke the creature's fluid movement. Even the park's organic structures, such as the Farm, an inhabitable space originally intended for domestic animals, now serve as intimate venues for events, blending seamlessly into the grassy mounds from which they emerge.

A notable aspect of Senosiain’s work is his innovative use of ferro-cement to achieve the fluid, organic shapes characteristic of his designs, where ceilings merge into floors and walls curve gracefully. This technique involves creating a metallic skeletal framework, resembling a skateboard track, which is then covered with a wire mesh to form the desired contours. A final layer of mortar solidifies these structures, demonstrating how human ingenuity can harmoniously intertwine with natural forms to create spaces that evoke a sense of wonder and connection to the Earth.

Ultimately, Quetzalcóatl Park is a testament to Senosiain’s belief that human habitations should not be separate from nature. His creations, including the nearby El Nido de Quetzalcóatl apartments, invite individuals to experience architecture not merely as structures, but as living, breathing extensions of the environment. By fostering a deep appreciation for the organic and the imaginative, Senosiain encourages us to reconnect with our primal instincts and build a future where humanity and nature coexist in vibrant, harmonious unity.

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