The joint endeavor between Studio Campo Baeza, headquartered in Madrid, and Maoda, a firm based in Quito, has culminated in their triumph in the international design competition for Ecuador's forthcoming National Museum (MUNA), situated in Quito. Their acclaimed concept, "Echoes of the Sun," emerged victorious from a pool of 17 distinguished finalists in the competition's second round. This public contest initially drew participation from 148 global teams, with 20 ultimately advancing to develop their proposals before the winning scheme was formally announced during a public ceremony held in Quito on July 6, 2026.
Nestled adjacent to La Carolina Park, the winning design strategically positions the museum towards the southern edge of the site, rather than sprawling across the entire plot. This deliberate placement carves out a expansive public plaza that seamlessly connects the museum with the urban fabric. Adorned with lush trees, shaded retreats, and captivating water features, this newly conceived civic space is envisioned as a gentle prelude, guiding visitors from the bustling city environment into the tranquil embrace of the museum, while simultaneously extending the communal areas of the neighboring park.
The architects explain that the project's inspiration draws from Quito's profound connection with its majestic mountainous terrain and the vertical grandeur characteristic of pre-Columbian Andean architectural traditions. Evoking imagery of stepped pyramids, the historical Tolas of Cochasquí, and the sacred Solar Temple of Ingapirca, the proposal manifests as a concentrated vertical structure, masterfully sculpted by the interplay of light and shadow. Within this imposing form, a series of courtyards and artfully carved voids usher natural light into the interior, while shaded pathways facilitate circulation and artfully frame panoramic vistas of both the vibrant city and the awe-inspiring Andes mountain range.
The museum's internal organization revolves around a rectangular floor plan, thoughtfully segmented into three primary zones to optimize programmatic functionality and streamline visitor flow. The southern quadrant of the edifice is dedicated to the exhibition galleries, offering ample space for curated displays. A central artery of circulation weaves through the building, linking various public areas across multiple levels. Along the northern perimeter, four vertical cores house essential services, including stairs and elevators, alongside a series of courtyards. These open-air spaces serve dual purposes: they function as conduits for natural light and as unique outdoor exhibition venues. These courtyards, named after significant Ecuadorian landmarks and cultural motifs such as Patio Sol de Oro and Ingapirca Courtyard, intersperse and enrich the visitor experience. The journey culminates at the Quito Terrace, perched at an elevation of 2,854 meters above sea level, providing an unparalleled vantage point to survey the city and the surrounding Andean panorama, marking the museum's ultimate public gathering spot.
