Building materials

Designers Transform Discarded Rice into Innovative Materials

The "SSAL: Rice as Matter" project, spearheaded by designers Juwon Kim and Na Hyeon, delves into the transformative potential of surplus rice. This innovative study re-evaluates rice that is no longer fit for consumption, whether due to expiration, sales unsuitability, or as a milling byproduct, reframing its purpose from a foodstuff to a valuable raw material. The core objective is to uncover the inherent material worth of rice once its traditional use-value diminishes, thereby paving the way for sustainable applications.

This pioneering research was initiated in response to the changing role of rice within contemporary Korean society. Despite its profound cultural significance, the daily consumption of rice has seen a decline, leading to a persistent cycle of storage, redistribution, and eventual disposal. Often, rice is discarded because it fails to meet stringent grading standards, surpasses its expiration date, or the costs associated with its preservation outweigh the benefits of its reuse. The project commenced with extensive on-site investigations in collaboration with a local rice mill, involving direct observations and interviews, followed by a series of iterative material experiments.

Shifting away from its conventional perception as a dietary staple, the designers approached rice as a physical substance possessing distinct structural and tactile properties. They developed a versatile composite by blending rice with various binding agents, creating a material that can be molded and dried. A crucial discovery was the impact of particle size: larger grains impart a noticeable texture, while finely ground rice yields a smoother, more uniform finish. When combined, different particle sizes create a denser, more intricate texture, akin to the interaction between aggregate and adhesive in construction, influencing the material's strength, cohesion, and surface characteristics.

Further investigation into the material's potential involved rigorous testing of its durability, texture, and natural coloration. Post-drying, various surface treatments and eco-friendly preservatives were applied to enhance resilience, aiming to broaden its application beyond mere samples. Experiments with natural colorants, including green tea, chili powder, and different rice varieties like brown and black rice, yielded a spectrum of warm, light tones to deeper, subdued shades. The designers frequently emphasized the rice's natural coloration, preserving its inherent visual appeal.

Milled rice, particularly when finely processed, exhibited a soft ivory hue with a subtle translucence. Conversely, samples crafted from coarser grains showcased a more pronounced grain structure, contributing to richer textures and surface variations. The utilization of natural components also underscores the material's biodegradability, positioning it within a temporary lifecycle that contrasts sharply with conventional, enduring construction materials.

This project fundamentally challenges the notion of discarded rice as mere waste. Instead, it scrutinizes the circumstances under which rice loses its perceived value due to shifts in consumption patterns, inventory pressures, and disposal expenses. In such scenarios, rice often loses its original purpose and is overlooked, frequently ending up in landfills despite its cultural and ethical importance. By reintegrating discarded rice as a raw material, Juwon Kim and Na Hyeon's study meticulously documents its material capabilities, prompting a reevaluation of how value can be ascribed once familiar systems of use are disrupted.

ABERTO5 Exhibition Transforms Eduardo Longo's Casa Bola in São Paulo

The ABERTO5 exhibition is set to make its highly anticipated return to Brazil, taking over the distinctive spherical residence of architect Eduardo Longo, known as Casa Bola, in São Paulo. This event marks the fifth iteration of the acclaimed itinerant exhibition series, recognized for its innovative approach of repurposing architecturally significant, often previously unseen, private homes into captivating venues for contemporary art and design. From March 7th to May 31st, 2026, the public will have the unique opportunity to explore Longo's private dwelling, which will be transformed into an immersive gallery showcasing over sixty original and recent works by both Brazilian and international artists.

Casa Bola, an architectural marvel conceived and constructed by Eduardo Longo between 1974 and 1979, is a central feature of the upcoming ABERTO5 exhibition. This sculptural home appears to gracefully float above Longo's main residence, presenting a striking eight-meter diameter sphere made from ferrocement and recycled steel tubes. The design's singular, continuous interior eradicates traditional corners, with walls, furniture, lighting, and sanitary fixtures seamlessly integrated using the same material palette. The exhibition's organizers have embraced the home's unique geometry as an integral part of the curatorial process. Artworks are strategically placed along ramps, within intimate niches, or suspended from the dome, guiding visitors through a dynamic interaction with the architecture itself. Artists like Daniel Steegmann Mangrané, Sarah Lucas, Erika Verzutti, Laís Amaral, Paloma Bosquê, Tomás Saraceno, and Leonor Antunes have contributed pieces that respond directly to the unique spatial conditions of Casa Bola, transforming its curved surfaces and shifting scales into an expansive three-dimensional canvas.

The choice of Casa Bola as the exhibition venue adds a profound layer of intimacy and authenticity, as Eduardo Longo continues to reside in the home. This creates a compelling dialogue between daily life and curated artistic expression, where the traces of domestic routines subtly intertwine with the displayed works. Visitors will encounter archival drawings, sketches, and models that illuminate Longo's broader explorations into spherical housing, alongside newly commissioned pieces. The natural light filtering through the home's distinctive round windows casts moving circles across the floors, further enhancing the dynamic atmosphere where architecture, memory, and contemporary artistic production coalesce, each adapting to the constraints and possibilities of the other.

Beyond the confines of Casa Bola, the ABERTO5 experience will extend into the urban landscape of São Paulo through ABERTO Rua, a parallel public art initiative along Faria Lima. This street project will feature site-specific installations by Brazilian artists on sidewalks and plazas, engaging with prominent buildings by architects such as Ruy Ohtake and Isay Weinfeld. This expansion bridges the personal, intimate scale of Longo's home with the expansive public domain, fostering a connection between private artistic experimentation and broader civic engagement, further solidifying ABERTO5's impact on São Paulo's cultural scene.

The ABERTO5 exhibition offers an unparalleled opportunity to engage with contemporary art and design within an extraordinary architectural setting. By transforming Eduardo Longo's Casa Bola into a living gallery, the event not only showcases innovative artworks but also highlights the intrinsic relationship between space, art, and daily existence. This fifth edition reinforces ABERTO's tradition of creating immersive experiences that challenge conventional exhibition formats, bringing art directly into dialogue with its architectural context and extending its reach into the city's public spaces.

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Studio for New Realities Reimagines Public Play Space in Rotterdam

The Studio for New Realities has successfully unveiled a groundbreaking lakeside pavilion at Plaswijckpark in Rotterdam, Netherlands. This project transcends the traditional playground concept, creating an inclusive, multi-seasonal hub where families can engage in play, learning, and imaginative exploration. A core achievement of this design is the re-establishment of a strong connection between the park and its adjacent waterfront, enhancing the natural appeal of the location.

A unique aspect of this development was the active involvement of children in the design process. Through their votes on preferred play equipment, young users directly influenced the final outcome, resulting in a building that caters to diverse activities from active play to creative endeavors, dining, focused learning, and experimentation. This new facility replaces an older theater and restaurant complex, now offering a versatile space that seamlessly merges the historical family park with the Bergse Achterplas lake.

Complementing the main structure, the studio also designed a secondary, entirely open-air pavilion. This lighter construction serves as a sheltered play area throughout the year. During winter months, it transforms into an ice-skating rink, supported by the main pavilion's culinary services. In warmer seasons, it functions as a shaded recreational zone and event venue. This adaptable space provides a dry haven during spring and autumn rain showers. Features like a central fireplace, integrated lighting, and a thoughtfully designed surrounding landscape ensure that this structure remains a welcoming communal spot, regardless of the season.

The genesis of this pavilion project was the unfortunate fire that devastated the park's theater in 2021. This event prompted the park's management to envision a new architectural landmark: the pavilion. The primary objective was to craft an inviting indoor environment that fosters play, education, and exploration, operable in all seasons, while also rejuvenating the park's intimate bond with the waterfront. Studio for New Realities meticulously integrated the outdoor areas, making them an intrinsic component of the overall experience and expanding the realm of play beyond the building's physical boundaries.

The pavilion further enhances programmatic synergy by consolidating functions previously housed in a standalone restaurant and a seasonal ice rink into one cohesive design. Contextual integration was a paramount principle for the pavilion's development. Its completion physically and visually re-establishes Plaswijckpark's connection with the lake, optimizes internal pathways, and introduces a new natural zone, complementing the existing play, animal, and park areas.

Instead of conceiving the pavilion as a singular, imposing structure, the architects opted to segment its required volume into smaller, more proportionate elements. This approach ensures that the new additions harmonize with the scale of other buildings within the park and along the waterline. The design prioritizes low-tech solutions and utilizes durable, timeless materials that naturally blend with the serene green shoreline. The introduction of new trees and a carefully sculpted natural embankment further amplifies the tranquil ambiance of the site. Positioned as an anchor on the lakeside, the pavilion is complemented by adjusted pathways that forge more logical connections between the various sectors of the park. Facing the park, the building opens onto an active forecourt and terrace, designed to be inviting spaces that encourage family gatherings and social interaction.

A distinctive, expressive roof structure, reminiscent of a tent, unifies these disparate volumes. This lightweight, folded roof honors the legacy of existing park pavilions while facilitating a seamless transition between indoor and outdoor environments. The larger sections, encompassing the playscape and restaurant, feature maximum transparency to preserve unobstructed views of the lake. Expansive windows, multiple entry points, protective overhangs, and strategically placed roof openings reinforce the connection with the surrounding landscape, allowing visitors to immerse themselves in the changing light, weather patterns, and seasons. Rooftop terraces on the upper level provide direct outdoor access from studio rooms, offering panoramic views of both the park and a secluded play area. More private sections accommodate back-of-house functions, characterized by thoughtfully selected materials such as timber facades with open joints that extend from exterior to interior, and a maroon-hued zinc roof that blends harmoniously with the natural setting.

The design team embraced a usage-centric methodology, crafting the building to actively encourage and facilitate engagement by children and their families. Inside, the experience is enriched by playful and creative 'activators.' These include an oversized stair-landing that doubles as an open studio, tiered seating arrangements, precisely positioned skylights and windows that frame specific vistas, a secluded sensory nook, a comprehensive book wall, a relaxing chill net, and numerous informal seating zones. These thoughtfully integrated elements stimulate movement throughout the building, heighten the appreciation for weather and natural light, and organize the interior space in an intuitive and engaging manner.

This innovative concept envisions the building as a dynamic 'usage machine,' a diverse collection of spaces each imbued with a distinct atmosphere, robust indoor-outdoor connections, and architectural features designed to inspire active exploration. The pavilion is organized as a fluid sequence of flexible and specialized areas, incorporating expansive open zones for communal activities, more intimate enclosed rooms for smaller groups, and dedicated workshops and craft zones. This adaptable design ensures the building can host a broad spectrum of activities, evolving with the changing seasons.

The Plaswijckpark Pavilion by Studio for New Realities represents a thoughtful architectural endeavor that prioritizes community engagement and a holistic approach to public space design. Its innovative blend of functional versatility, aesthetic appeal, and natural integration sets a new standard for recreational and educational facilities. The inclusion of children's perspectives in the design process further underscores its commitment to creating a truly user-centric environment that fosters joy, learning, and connection with nature.

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