Building materials

Cloudbeat: A Sustainable and Repairable Bluetooth Speaker Concept

InOutGrid has unveiled Cloudbeat, a conceptual Bluetooth speaker for the Swiss sportswear manufacturer On, which expands the brand's commitment to environmental responsibility into the realm of personal electronics. This innovative project investigates how principles of circular design, commonly found in clothing and footwear industries, can be effectively applied to the creation of compact electronic devices.

InOutGrid's Cloudbeat speaker tackles the escalating issue of electronic waste, largely driven by products that are difficult to repair and recycle. The device is built with repairability as a central design tenet, facilitating maintenance, disassembly, and the reclamation of materials. Designed for easy user repair, it comes with clear instructions provided through its packaging and online resources, empowering users to actively participate in the product's lifespan and fostering a sense of stewardship.

Embracing User-Centric Repair and Circularity

Cloudbeat stands out by completely eschewing adhesives, opting instead for standard Phillips screws to secure components, thereby ensuring effortless access to internal parts. This thoughtful design simplifies troubleshooting and significantly reduces the likelihood of disposal due to minor technical issues. The speaker's casing and protective mesh are crafted from polypropylene and heat-bonded, allowing for straightforward recycling without the need for intricate material separation. A detachable backplate, made from recycled EVA shoe soles, not only provides a waterproof seal but also facilitates quick access to the internal components. This user-friendly approach is central to minimizing e-waste by extending the product's functional life.

In situations where electronic components fail beyond the scope of user repair, the Cloudbeat speaker can be seamlessly returned through On's Cyclon circularity program for component replacement. The deliberate absence of adhesives plays a crucial role in simplifying the end-of-life recycling process, making material recovery more efficient. This holistic approach ensures that even when a part reaches the end of its usability, its materials can be re-entered into the production cycle, significantly reducing environmental impact and promoting a truly circular economy.

Harmonizing Aesthetics with Environmental Responsibility

The visionary team at InOutGrid, Ingrid Ng and Sarah Na, meticulously sculpted the Cloudbeat's form to resonate with On's distinctive visual language. The portable speaker features a modular strap and a carabiner attachment, enhancing its versatility for various environments, from dynamic outdoor adventures to calm indoor exercise routines. A diverse palette of colors, materials, and finishes draws inspiration from On's extensive footwear collections, forging a cohesive and visually integrated product ecosystem that reinforces brand identity while promoting sustainable practices.

This careful integration of design and functionality ensures that the Cloudbeat speaker is not just a technological device but an extension of the user's active lifestyle, mirroring the brand's commitment to performance and environmental consciousness. By aligning the speaker's aesthetic with existing product lines, InOutGrid has created a device that is both innovative in its sustainability and familiar in its appearance, further solidifying On's position as a leader in eco-friendly sportswear and consumer electronics. The design not only meets the performance demands of active individuals but also reflects a broader commitment to sustainable production and consumption, making it a compelling choice for the environmentally aware consumer.

S House: A Woodland Pavilion by PL.architekci

Nestled amidst a verdant canopy of mature trees on the outskirts of Poznań, Poland, the S House by PL.architekci stands as a testament to contemporary architectural design that respectfully blends with nature. This residence reimagines the traditional home, opting for a fluid, organic form that gently curves around the existing forest, rather than imposing a rigid structure upon it. The design philosophy prioritizes the preservation of the natural landscape, allowing the dwelling to become an extension of its sylvan environment, celebrating the inherent beauty of the site.

The architects meticulously crafted the S-shaped footprint of the house as a direct response to the dense woodland, ensuring minimal disruption to the ancient trees that define the property. This innovative layout not only accommodates a comprehensive residential program but also carves out intimate garden enclaves that press against the glass facades, inviting the outside in. The continuous glazed corridors that trace the home's graceful bends offer an immersive experience, transforming a simple walk into a journey through ever-changing natural vistas of bark, leaves, and sky. This architectural choice blurs the lines between indoor and outdoor, fostering a deep connection with the surrounding ecosystem.

Addressing local planning regulations that mandated pitched roofs, PL.architekci devised an ingenious accordion-like roof structure. This distinctive design introduces a rhythmic visual texture to the ceiling, creating a dynamic, zig-zagging profile when viewed from above. Internally, the folded ceiling planes contribute to enhanced acoustics and discreetly integrate lighting and ventilation systems, maintaining an uncluttered aesthetic. The interior spaces mirror the exterior's thoughtful design, featuring a restrained color palette dominated by white resin floors that visually expand towards the outdoor terraces, and warm dark oak veneers that adorn the walls and custom-built furniture, creating an atmosphere of serene sophistication.

The meticulous placement of the S House within the wooded landscape near Poznań underscores the project's core principle of ecological sensitivity. By bending the building's form, PL.architekci demonstrates how modern living can coexist with and even enhance natural settings. The design encourages residents to engage with their environment, offering continuous views of the forest from almost every vantage point, and creating a living space that feels both sheltered and expansive.

The innovative roof design not only complies with regulations but also serves as a key architectural feature, adding character and visual interest to the residence. The integrated lighting and ventilation systems within the folds of the ceiling are a prime example of how functional elements can be seamlessly woven into the aesthetic fabric of a building, contributing to its overall harmony and efficiency. This attention to detail ensures that the house is not just a dwelling, but a carefully curated experience.

Inside, the harmonious material selection of white resin floors and dark oak veneers creates an inviting and sophisticated ambiance. The reflective quality of the white floors maximizes natural light, amplifying the sense of spaciousness and connection to the outdoors, while the rich tones of the oak add depth and warmth. This interior design strategy ensures that the S House offers a tranquil retreat that is both luxurious and intimately connected to its natural surroundings, embodying a refined sense of modern living.

The S House by PL.architekci sets a new benchmark for residential architecture within natural environments, showcasing how thoughtful design can foster a profound relationship between structure and landscape. It exemplifies a contemporary approach where every design decision, from the S-shaped footprint to the accordion roof and the selection of interior finishes, contributes to a cohesive vision of harmonious living, making the house an integral part of its forested context.

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Aldo Rossi and Francesco Somaini: An Urban Dialogue in Milan

The "City of Objects" exhibition at Spazio UniFor in Milan offers a compelling exploration of urban concepts through the works of architect Aldo Rossi and sculptor Francesco Somaini. This curated display, part of the MuseoCity program, invites visitors to engage with the intricate dialogue between iconic furniture designs and powerful 1970s sculptures, reflecting on the multifaceted nature of the city as both a tangible entity and an imagined construct.

Unveiling Urban Narratives: A Fusion of Design and Sculpture

A Milanese Dialogue: Rossi's Furnishings and Somaini's Sculptures Converge

Until March 15th, 2026, Spazio UniFor in Milan is the stage for "The City of Objects: Aldo Rossi and Francesco Somaini." Curated by Studio Klass in collaboration with Fondazione Francesco Somaini Scultore, this installation, part of the In Vetrina program by MuseoCity, creates a compelling conversation. It strategically places renowned furniture pieces by Aldo Rossi for UniFor alongside a curated selection of Francesco Somaini's sculptures from the 1970s. Housed within the central hall of Spazio UniFor, a space designed by Herzog & de Meuron, the exhibit delves into the essence of the city, not merely as a physical location, but as an interplay of objects, collective memory, and conceptual frameworks.

Architectural Storytelling Through Four Distinct Rooms

Studio Klass meticulously organized the exhibition into a series of four interconnected rooms, each meticulously aligned with the building's inherent structural grid. This deliberate arrangement extends the architectural logic into the very fabric of the curatorial design. These spaces function as concentrated, museological environments, where each room pairs a significant sculptural work with a corresponding architectural object. A distinct chromatic palette, a hallmark of Rossi's artistic approach, is introduced in each setting, further enriching the visual experience.

Visitors embark on a journey through precisely calibrated environments, where the interplay of light, scale, and contrasting materials shapes their perception and engagement. Rossi's creations—Cartesio, Consiglio, Parigi, and Museo—are presented not just as furniture, but as architectural elements themselves. These pieces encapsulate both deeply personal and archetypal recollections, simultaneously conjuring vivid images of hypothetical urban landscapes. Bookcases transcend their utilitarian function, becoming evocative facades, while cabinets transform into civic structures, characterized by their rhythmic modularity. Through these works, Rossi's concept of the "analogue city"—a hypothetical urban construct woven from memory, typology, and recurring patterns—manifests as a tangible reality.

Sculptural Counterpoints: Engaging with the Modern Metropolis

In a striking juxtaposition, Somaini's architectural sculptures introduce a powerful material and formal tension to the exhibition. Conceived during the 1970s, these works emerged from his profound engagement with the constructed environment, viewing the city as a dynamic field of forces rather than a static image. For Somaini, New York represented a quintessential context to critically examine the relationship between art and architecture within an expansive urban scale. When placed alongside Rossi's object-architectures, these sculptures significantly deepen the ongoing dialogue concerning memory, materiality, and the urban experience.

The convergence of these distinct artistic visions gives rise to a dynamic landscape where the lived reality of the city intertwines with its imagined counterparts. The installation effectively constructs what can be interpreted as an "analogue city," a realm shaped by shared memories and placed in insightful contrast with a re-evaluated perspective of the contemporary metropolis. Within the expansive framework of MuseoCity's In Vetrina initiative, Spazio UniFor serves as a crucial conduit for "The City of Objects: Aldo Rossi and Francesco Somaini." This exhibition provides a precise and intimate examination of two parallel investigations into how art and design can fundamentally reimagine our understanding of urban environments.

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