Architectural Cases

In a pioneering endeavor in San Bernardino, Paraguay, Equipo de Arquitectura has unveiled "A Forest in the House," a 260-square-meter dwelling that profoundly redefines the relationship between built structures and their natural surroundings. This project stands as a testament to an innovative architectural philosophy, where the existing woodland is not merely a backdrop but the fundamental framework dictating the residence's form and layout. Architects Horacio Cherniavsky and Viviana Pozzoli meticulously allowed the mature trees on the site to shape the dwelling's geometry, strategically placing compressed earth volumes and shaded areas around and between the venerable tree trunks.

The conceptual underpinning of this extraordinary residence draws inspiration from diverse fields, including philosophy and jazz. The architects cite José Ortega y Gasset's "Meditations on Don Quixote. Depth and Surface" (1914), particularly his reflection on how trees, by obscuring parts of the forest, paradoxically allow the forest to exist in its entirety. This perspective translates into a spatial method where visible trunks both define and conceal, creating an experience where latent elements influence circulation, enclosure, and open spaces. Furthermore, the design process mirrors jazz composition, echoing Bill Evans' insights into improvisation within a structured framework, highlighting a creative approach that blends careful preparation with spontaneous adaptation to the site's unique characteristics.

The dwelling's design is articulated through two distinct horizontal layers. The foundational plane, serving as the floor, is subtly elevated, ingeniously allowing the tree roots to flourish undisturbed beneath the structure. Above, a corresponding ceiling plane extends outwards, forming a terrace that positions residents at the vibrant canopy level. This dual-plane strategy skillfully balances the need for shelter with a desire for exposure to nature, establishing a dynamic interplay between grounding and elevated perspectives. Light and air become integral temporal elements, with shifting shadows marking the passage of time and wind weaving through open galleries, introducing the sounds and movements of the forest, akin to the rhythmic nuances of music where silence holds as much significance as sound.

The architectural configuration of patios and shaded galleries cultivates a permeable domestic setting, blurring the lines between indoor and outdoor. The trees themselves act as defining elements, shaping both occupied and vacant spaces, effectively making vegetation a structural guide. This project, completed in 2025 with landscape design by Viviana Pozzoli and structural engineering by Felipe Ramírez, represents a thoughtful re-evaluation of how architecture can harmoniously coexist within fragile ecosystems. It offers a quiet yet powerful vision for residential design, where the built environment respectfully integrates with, and is informed by, the natural world.

This innovative residential project in Paraguay exemplifies a profound connection to its environment, demonstrating how architectural design can not only coexist with nature but also draw its very essence from it. By allowing the natural landscape, particularly the existing trees, to dictate the structural and spatial organization, Equipo de Arquitectura has crafted a dwelling that is deeply rooted in its site. The philosophy behind "A Forest in the House" challenges conventional building practices, advocating for a more integrated and adaptive approach that respects and celebrates the ecological integrity of a location. The use of natural materials like compressed earth blocks further reinforces this commitment to sustainability and a seamless blend with the surroundings. This residence serves as a model for future developments seeking to minimize ecological footprint and maximize natural harmony, offering a living experience that is both unique and deeply resonant with the rhythms of the natural world.

Artist Milla Novo has unveiled a captivating textile installation that gracefully transitions between contrasting natural environments, demonstrating the universal appeal and adaptability of her craft. Initially conceived in the vast expanses of the Mleiha Desert in Sharjah, this intricate artwork was later visualized against the serene backdrop of an Alpine snowfield within a glass structure, creating a dialogue between the real and the imagined.