Architectural Cases

Trahan Architects has completed a significant project at Loyola University in New Orleans, Louisiana: the Chapel of St. Ignatius and the Gayle and Tom Benson Jesuit Center. This 4,620-square-foot circular chapel, completed in 2025, features a distinctive brick facade and an innovative cross-laminated timber structure, marking a blend of traditional religious architecture with contemporary design principles. The design meticulously integrates with the existing campus aesthetics while offering a unique, serene space intended to foster the university's holistic educational mission, focusing on the development of mind, body, and spirit. Its modest yet striking presence is characterized by handmade bricks and a thoughtful interior layout that prioritizes flexibility and community.

The chapel's design by Trahan Architects, a firm with offices in New Orleans and New York, was carefully conceived to reflect Loyola University's core values. The studio articulated that the chapel's minimal aesthetic serves as a tranquil canvas, brought to life by meticulously crafted liturgical elements, bespoke furnishings, and the spiritual engagement of its visitors. The exterior, constructed from handmade bricks sourced from San Anselmo, Italy, harmonizes with the red brick architecture prevalent across the campus, which comprises modern, Gothic, and Tudor styles. This deliberate material choice ensures contextual continuity, even as the chapel's unique form and subtle grey translucent glaze distinguish it from neighboring structures upon closer inspection, revealing similarities in brickwork patterns and deep red hues.

Strategically positioned at the campus's heart, the chapel's cylindrical form is not merely an aesthetic choice but a functional one, facilitating seamless integration with existing pedestrian pathways. The rounded shape acts as an inviting gesture, creating welcoming spaces within the urban grid. The architects drew inspiration from St. Ignatius's transformative experience in the Cave of Manresa, aiming to imbue the chapel's textured, handmade quality with a similar sense of profound reflection. This approach seeks to evoke curiosity and a sense of wonder among students, faculty, and visitors, blending striking design with an approachable presence.

Beneath its brick exterior, the chapel showcases a cross-laminated timber structure, a pioneering use of this material in Louisiana. This innovative construction method facilitates a series of interconnected circular spaces within the interior, reinterpreting the traditional axial church plan. Instead of a hierarchical arrangement, the design promotes equality and intimacy through its gathering spaces. These intersecting circles create sacred thresholds, symbolizing transition and spiritual openness, guided by natural light from a circular skylight and deliberate facade openings. The interior is designed for adaptability, featuring movable chairs that allow for flexible seating arrangements, departing from conventional fixed pews.

The interior design emphasizes visual and acoustic tranquility, employing a palette of modest materials such as white gypsum walls, polished concrete floors, and subtle neutral fabric lining the sanctuary. This understated elegance ensures that the architecture does not overpower the spiritual experience but rather serves as a gentle backdrop. The architects believe that the vibrant life, movements, and celebrations of those who enter contribute significantly to the chapel's atmosphere, highlighting the human element as central to its character. Previously, Trahan Architects has demonstrated its versatility with projects including a pavilion for an Osaka expo, a steel pavilion in Arkansas, and the restoration of the Superdome in New Orleans.

The Chapel of St. Ignatius stands as a testament to thoughtful architectural design that respects its context while pushing innovative boundaries. Its construction not only provides a spiritual haven but also introduces advanced building techniques to the region. The careful selection of materials, the nuanced integration with the campus, and the flexible interior layout collectively contribute to a space that is both deeply reverent and welcoming to all who seek solace or community within its walls.

In a remarkable architectural endeavor, the UK-based firm Studio Hallett Ike has breathed new life into Cemetery House, a historic Gothic-style lodge nestled within a London cemetery. This Grade II-listed Victorian structure, originally conceived by Thomas Little in 1855 as a vicarage for the Paddington Cemetery, has undergone a comprehensive transformation that marries its historical roots with contemporary design principles. The project’s ethos was to create a space that balances its inherent architectural gravitas with a welcoming, earthy feel, drawing inspiration from diverse global design traditions.

The expansion and refurbishment focused on extending the ground and first floors, introducing new spatial dynamics while preserving the lodge's unique character. On the ground level, a newly established central axis now connects the entrance directly to the garden through expansive glass doors, dissolving the former compartmentalized layout and fostering a sense of openness. Living areas are subtly delineated by variations in floor levels, featuring a raised dining space and a recessed conversation pit adjacent to a modern kitchen, which is housed within the new extension. The kitchen itself is a focal point, boasting full-height sliding glass doors that open onto a revamped garden, complete with a tiered concrete patio and an outdoor fireplace, all framed by a pristine white stucco wall. Upstairs, the extension incorporates a new dressing room and an opulent en-suite bathroom, distinguished by a large micro-cement bath and elegant travertine sinks, with a pointed archway connecting it to the bedroom, echoing the lodge's original Gothic windows.

The exterior additions feature pale Petersen Kolumba brickwork, with the ground floor extension capped by a cast concrete spandrel beam, showcasing deep reveals and precise brick detailing that contribute to the facade's visual depth and solidity. This meticulous project by Studio Hallett Ike, founded by Jonty Hallett and Madeleine Ike in 2018, exemplifies their commitment to understated yet impactful interventions, creating spaces that are confident, minimal, and timeless. Through thoughtful design, Cemetery House has been reimagined as a calm and grounded architectural statement, seamlessly integrating historical charm with modern functionality and a refined rustic sensibility.

This renovation project serves as a testament to the power of thoughtful design in preserving heritage while adapting to contemporary needs. It showcases how historical structures can be revitalized to offer both comfort and aesthetic pleasure, demonstrating a harmonious coexistence between past and present. The fusion of diverse architectural influences within a sensitive historical context provides a beacon of innovative design that enriches the urban landscape and inspires future architectural endeavors.