Building materials

Bhoon+ House: A Courtyard-Centric Residence in Bangkok

Anonym Studio has created the Bhoon+ House in Bangkok, Thailand, a residential project that ingeniously reuses the expansive lawn of an existing family dwelling. This new construction, spanning 376 square meters, maintains a symbiotic relationship with the original home while establishing distinct privacy for its occupants. The core of the design is an open central courtyard, which not only links the two residences visually and spatially but also serves as a shared verdant landscape. The architectural approach emphasizes natural light and cross-ventilation, shaping a living environment that is both aesthetically pleasing and highly functional.

The Bhoon+ House, envisioned by Anonym Studio, occupies a plot that was once the garden of an established family home in Bangkok, Thailand. The primary goal of this redevelopment was to create a new household that would remain connected to the original residence. The design achieved this by preserving the former lawn as a common courtyard, allowing for seamless visual and spatial continuity between the two houses, while simultaneously granting enhanced privacy to the younger family residing in the new structure.

The architectural layout is defined by this central open courtyard, strategically placed to respond to the existing house and the site's orientation. Given that the street frontage faces east, incorporating the courtyard into the middle of the new volume allowed for the creation of a secondary, north-facing edge. This innovative placement ensures an abundance of natural daylight permeates the interior spaces and offers expansive views across the garden. Furthermore, this shared courtyard acts as a communal landscape, strengthening the bond between the architecture and its outdoor surroundings.

The building itself adopts a long, linear form, mirroring the rectangular dimensions of the plot and thoughtfully adapting to the sun's trajectory. This deliberate arrangement minimizes direct solar exposure on the main walls, while the north-facing facade features large glazed surfaces that maximize natural light. Consequently, the primary rooms are oriented to overlook the serene courtyard, benefiting from both ample natural illumination and efficient cross-ventilation. This thoughtful design ensures a comfortable and well-lit interior throughout the day.

The design team at Anonym Studio has seamlessly integrated the courtyard into the very fabric of the architecture, moving beyond merely treating it as a separate green space. A distinctive feature is the recessed section of the roof, which elegantly accommodates a central tree within the courtyard while preserving the smooth flow of the main roof plane. This architectural detail gives the house its unique roof profile and visually merges the planted courtyard with the overall structure of the building.

The interior, spanning approximately 400 square meters, revolves around a continuous communal area encompassing the living room, dining space, and kitchen. Strategically placed large glazed openings at various points in the floor plan flood these shared zones with natural light and frame picturesque views of the courtyard and the surrounding garden. Operable awning windows in the kitchen further enhance natural ventilation, while utility areas and a dedicated Thai kitchen are discreetly situated at the rear of the house.

The rear service volume is characterized by an exterior curved wall, meticulously crafted from white-painted brick. Deliberate gaps within the brickwork allow for the passage of light and air, creating a naturally ventilated enclosure. This element thoughtfully contrasts with the more open, glazed facades that face the central courtyard, adding textural and visual interest to the design.

Throughout the Bhoon+ House, natural light is introduced through a harmonious combination of courtyard glazing, upper-level windows, and internal voids. Along the second-floor corridor, glazed walls permit daylight to cascade through the central opening to the lower level, fostering visual connections between the different floors. The upper level houses private rooms thoughtfully arranged around the central void. A dedicated room for board games, enclosed by a full-height glass wall, receives ample light from the adjacent balcony. The main bedroom combines an east-facing glazed wall with captivating views of the garden, situated beneath a gabled ceiling and featuring a raised platform that extends into an inviting, informal sitting area.

The exterior aesthetic is defined by a pristine white material palette, a minimalist gabled roof, and expansive glazed openings. The east-facing facade welcomes the gentle morning light into the bedrooms, while the open courtyard side maintains a continuous visual link with the adjacent family home. Across the entire project, Bhoon+ House skillfully employs the courtyard, recessed roof, and glazed openings as integrated architectural elements. These components collectively orchestrate daylight, ventilation, circulation, and views, while meticulously preserving the relationship between the existing residence, the shared landscape, and the newly established family home.

Transforming Textile Waste into Innovative Architectural Materials

The "Fast Fashion Architecture" initiative, a pioneering research endeavor by Taylor Leung's 12103 Design Studio in collaboration with The Bartlett School of Architecture, addresses the urgent issue of textile waste by transforming discarded synthetic fabrics into versatile architectural materials. This project, conceived in 2022 alongside Chung Yin Jeffrey Kwong, Chao-An Chang, Chong Li, and Jiali Yan, explores the intersection of fashion and construction, offering a sustainable alternative to conventional building components.

Discarded Fabrics Find New Life in Construction

In a revolutionary approach to waste management, London-based designer Taylor Leung and his team at 12103 Design Studio, in conjunction with experts from The Bartlett School of Architecture, have introduced the "Fast Fashion Architecture" project. This initiative, launched in 2022, focuses on repurposing non-biodegradable synthetic garments and textile industry offcuts, which are notoriously difficult to recycle through traditional methods. The core innovation lies in a heat-fusion technique that bonds these materials without the need for adhesives or binders. Textiles are meticulously sorted by color and composition, then compressed into mild-steel cages and subjected to controlled heat. This process results in porous, robust units that remarkably preserve the vibrant colors, intricate patterns, and unique textures of the original clothing items, offering a distinct aesthetic for architectural applications.

Further advancing this sustainable vision, the team engineered a modified 3D printer for a semi-automated "digital soldering" process. This adapted machine utilizes heated tips to move through the compressed textiles, allowing for precise control over bonding patterns by adjusting temperature, density, and spacing. This blend of digital fabrication and the inherent variability of discarded textiles ensures that each material unit is distinct yet consistently bonded. The versatility of these heat-fused blocks has been rigorously tested across various applications, from initial material samples to outdoor walls, furniture pieces like chairs, and structural columns. A significant milestone was the development of a prototype shelter at Grymsdyke Farm, demonstrating the material's potential at a human and spatial scale. Visionary studies even extend this system to the design of a three-story house, envisioning a future where textile waste forms the very fabric of our built environment. This project not only mitigates the environmental burden of fast fashion but also fosters a circular economy, bridging the gap between garment production and innovative architectural solutions.

This groundbreaking project exemplifies how interdisciplinary collaboration and creative problem-solving can lead to transformative solutions for pressing environmental challenges. By reimagining textile waste as a valuable resource for construction, "Fast Fashion Architecture" not only offers a pathway to sustainable building but also challenges our perceptions of value and disposability in consumer culture. It underscores the potential for design and architecture to drive significant positive change, inspiring a future where waste is not merely discarded but ingeniously repurposed into meaningful, functional, and aesthetically rich creations.

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The "Sharp" Kayak: A Fusion of Aluminum and Cork

Emerging from a new press brake and France's lake-rich Morvan region, the "Sharp" kayak, conceived by Guillaume Bloget during his residency at Rhizome, presents a novel approach to watercraft construction. This innovative vessel is ingeniously crafted from folded aluminum sheets and natural cork, a design born from the workshop's acquisition of metal-shaping machinery. Rather than mimicking conventional molded plastic or composite kayaks, the project champions the folding technique as both a structural foundation and an artistic statement, integrating form and function through this unique methodology.

The kayak's hydrodynamic form was meticulously engineered to optimize forward motion from each paddle stroke, minimizing energy loss. This performance objective guided a rigorous iterative design process, involving numerous half-scale models that were individually tested in water to refine the hull's geometry. The culmination of this development is a design that maintains distinct, angular facets above the waterline, while seamlessly transitioning to a smooth, efficient profile for effortless glides through the water. Additionally, the kayak's structure is entirely self-supporting, formed by the inherent stiffness of its folded aluminum, which creates a double-walled, unsinkable hull, transforming simple creases into essential ribs and surfaces into robust components. This innovative use of industrial sheet metal fabrication translates into the serene activity of paddling, highlighting a harmonious blend of strength and leisure.

Within the cockpit, a cork seat provides a comfortable interface between the paddler and the boat, its soft, rounded contours thoughtfully juxtaposed against the kayak's angular aluminum shell. This tactile material introduces warmth and organic texture to an otherwise purely metallic object. On the exterior, the polished aluminum surface captures and fragments reflections of the surrounding water, allowing the kayak's appearance to dynamically shift with the ambient light and conditions. This prototype's success has led to its production on demand by craftsman Antoine Rivière, underscoring a commitment to local manufacturing. The "Sharp" kayak brilliantly demonstrates how aluminum, cork, and precise folds can collectively achieve flotation, structural integrity, ergonomic comfort, and striking visual appeal, making a compelling case for designing around available tools and exploring their creative potential.

The "Sharp" kayak exemplifies a harmonious blend of innovative design, material consciousness, and local craftsmanship. It showcases how limitations can inspire creativity, pushing the boundaries of traditional manufacturing to create a product that is not only functional but also aesthetically remarkable and environmentally thoughtful. This project encourages us to appreciate the beauty of engineered simplicity and the value of localized production, reminding us that true innovation often lies in reimagining familiar processes and materials with a fresh perspective, leading to solutions that benefit both users and the environment.

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