Building materials

Beijing's Transformed Bus: A Playful Urban Renewal Project

XISUI Design has embarked on an imaginative urban regeneration initiative, converting a retired BK640 bus into a dynamic children's public play space in Beijing's Changping District. Nestled within Sanjiaodi Park, this project exemplifies creative recycling, breathing new vitality into a historical piece of Chinese urban infrastructure. By transforming the shell of China's inaugural domestically produced bus, the design establishes an engaging, occupiable structure that seamlessly integrates into the surrounding community, offering a unique blend of nostalgia and contemporary recreation.

This innovative installation occupies the former site of a 1980s playground, establishing an immediate and distinctive presence from the street. The recognizable contours of the bus body are reimagined on a scale suitable for children, rather than vehicular traffic, strategically placed amidst mature trees and along the pedestrian walkway. The design draws inspiration from the enduring memory of the BK640, which graced Beijing's thoroughfares since 1957. Rather than a mere replica, the project abstracts elements of the original vehicle, using its proportions and profile to inform a playful landscape of fragmented panels, openings, and surfaces, inviting children to explore and interact.

XISUI Design's intervention extends beyond the bus itself, revitalizing Sanjiaodi Park as a whole. Situated at a point where historical and modern urban routes converge, the broader park renovation introduces organized circulation paths, water features, and open green spaces. These elements create a sequence of public zones that are deeply connected to the local geography and historical context. Within this overarching framework, XISUI was specifically tasked with crafting the children's area. The bus-themed installation thoughtfully occupies a compact yet highly visible footprint, aligning with existing sidewalks and ensuring a fluid connection between the park's tranquil environment and the vibrant street life that surrounds it.

The Old Beijing Bus is ingeniously compartmentalized into two distinct activity zones by XISUI Design, with a central pathway separating its front and rear sections. The forward section is tailored for younger children, featuring lower heights and closer-spaced play elements. This area incorporates climbing frames, miniature slides, balance beams, and tactile walls, all integrated within the bus's exterior. Additionally, fixed seating, reminiscent of traditional bus benches, lines the perimeter, providing comfortable spots for supervision and relaxation. The rear section, designed for a wider age demographic, boasts taller ladders, ropes, dual slides, swings, and ground-based games. The equipment is strategically distributed to encourage continuous movement throughout the entire structure, preventing excessive concentration of activity at any single point.

To foster interactive engagement, voice tubes, steering wheels, and flip panels are seamlessly embedded within the steel surfaces and timber inserts. These interactive elements are positioned within easy reach, ensuring they do not impede circulation, thus maintaining a clear and accessible interior even during periods of high usage. The material selection prioritizes both durability and aesthetic appeal. Galvanized steel forms the primary structural framework, chosen for its resilience in a heavily trafficked public environment. The surfaces are treated with fluorocarbon paint, offering superior weather resistance while maintaining a uniform color scheme. Areas designated for contact and seating feature carbonized bamboo wood, which provides a warmer, more inviting tactile surface that harmonizes with the steel frame. This timber choice also boasts excellent outdoor durability, negating the need for frequent reapplication of protective coatings. The color palette draws inspiration from the iconic red and white hues of the vintage BK640 bus, ensuring that the installation stands out vibrantly against the natural greenery and the everyday backdrop of shops, bicycles, and passing buses.

This innovative project serves as a vibrant testament to the power of thoughtful design in transforming urban spaces. By recontextualizing a historical artifact, XISUI Design has not only provided a stimulating environment for children but has also woven a piece of Beijing's heritage into the contemporary urban tapestry, fostering a sense of continuity and community engagement.

Zeroth's W1: The Revolutionary AI-Powered Home and Outdoor Assistant

Zeroth's groundbreaking W1 robot is a true marvel of modern engineering, seamlessly blending cutting-edge artificial intelligence with robust physical design. This versatile mobile assistant is poised to revolutionize how individuals interact with their living spaces and outdoor environments. From intelligent security surveillance to effortless gear transport, the W1 demonstrates a remarkable capacity for adaptive functionality.

Zeroth's W1 Robot: A New Era of Intelligent Assistance

At the prestigious CES 2026 in vibrant Las Vegas, held from January 6th to January 9th, Zeroth proudly showcased its innovative W1. This advanced mobile robot, featuring durable track wheels and integrated cameras, functions as a sophisticated, autonomous security system for both indoor and outdoor settings. Its 360-degree environmental awareness allows it to vigilantly monitor for unusual activity, detect potential issues, and seamlessly integrate with existing smart home infrastructure. Unlike static surveillance cameras, the W1 offers dynamic security, adapting its patrols and maintaining constant vigilance. Beyond security, the W1 excels as an outdoor companion. Weighing 28 kilograms, this impressive machine can effortlessly carry up to 50 kilograms, nearly double its own weight, across diverse terrains such as grass, gravel, dirt, and uneven slopes without compromising stability. Furthermore, its integrated power storage transforms it into a mobile hub, capable of powering entertainment devices and capturing memorable moments through its eye-mounted cameras. Zeroth anticipates commencing shipments of this remarkable device in April 2026.

The introduction of the Zeroth W1 signifies a pivotal moment in the evolution of assistive technology. Its multifaceted capabilities, from enhancing home security to providing robust outdoor support, highlight the increasing sophistication and practical application of AI in everyday life. This innovation inspires us to envision a future where intelligent robots are not merely tools but indispensable partners, capable of adapting to our dynamic needs and enriching our experiences, both within the confines of our homes and amidst the grandeur of the outdoors. The W1 truly embodies the potential for technology to simplify, secure, and enhance human endeavors.

See More

Me [mé] Carves a 'Hole in the World' Through a Japanese Residence, Creating a Cave-like Interior

The art collective Me [mé] introduces 'Space II' in Kannawa, Japan, a compelling architectural installation that redefines the boundaries of residential spaces. By meticulously carving out irregular voids within a private home, the artists transform the conventional structure into a geological wonder, blurring the lines between man-made and natural formations. This immersive project invites viewers to experience architecture not as an enclosure, but as a dynamic interplay of perception and environment.

Experience Architecture Transformed: A Journey into a Sculpted Void

Discovering 'Space II': A Residential Metamorphosis in Kannawa, Japan

In the vibrant geothermal community of Kannawa, located within Beppu, Oita Prefecture, Japan, the innovative art group Me [mé] unveils its latest creation, 'Space II' (2025). This large-scale artistic endeavor is situated within a private dwelling, which has been dramatically reconfigured. The structure now features a series of unconventional openings, their edges left in a raw, organic state, suggesting that the interior has been naturally eroded. Rather than leading to typical rooms, these apertures reveal a profound rupture, reminiscent of a natural grotto or a deep chasm, emphasizing a connection to the earth's primal forces over human construction.

Redefining Architectural Perception: Beyond Walls and Enclosures

The Japanese artists behind Me [mé] approach 'Space II' by subtracting existing elements from the building, rather than adding new ones. This method transforms the dwelling's interior, where traditional walls and floors give way to a continuous, cavernous expanse. The surfaces within this new space are textured, recalling the patterns of weathered rock formations and ancient volcanic layers. Subtle handrails are integrated to guide visitors through this unique environment, providing necessary support without detracting from the raw, experiential nature of the installation.

Light and Landscape: A Dialogue with the Outside World

Natural light filters into 'Space II' through its various openings, drawing in fleeting glimpses of Kannawa's urban fabric—its rooftops, bustling streets, and passing inhabitants. This infusion of external elements into the sculpted interior prompts observers to view the familiar world through a refreshed, often disorienting lens. The interplay of light and shadow within the void creates an ever-changing visual narrative, enhancing the sense of a temporary, altered reality.

Echoes of Earth: Kannawa's Volcanic History Embodied

Situated within the Geothermal Tourism Lab ENMA Annex, 'Space II' is deeply connected to Beppu's rich geological and cultural heritage. Kannawa, a region shaped by countless volcanic eruptions and seismic shifts, was once regarded with apprehension but later embraced for its healing hot springs. Me [mé] delves into this tumultuous past, envisioning a time when the land was still actively evolving, untamed by human constructs such as language, tourism, or infrastructure. The cavernous forms within the installation mirror the town's essence—its structures, its people, and its natural surroundings—while simultaneously offering a momentary escape from them.

From Overlay to Erasure: A Shift in Artistic Strategy

'Space II' builds upon Me [mé]'s previous work, 'Space' (2020), which was exhibited at the Towada Art Center. In that earlier project, a pristine, museum-like exhibition space was unexpectedly introduced into a retro snack bar. However, with 'Space II', the artistic methodology evolves significantly. Instead of juxtaposing disparate contexts, the collective opts for a strategy of removal, effectively stripping away conventional contextual elements to create an entirely new, unburdened experience.

See More